Pinochet

In the midst of a profound social conflict, the director, a blind activist based in Canada, returns to her native Chile to follow five activists who embark on a transformative process to dignify their lives.

The documentary portrays the desires and ftures of four young people from the third year of secundary education in Chile. Two of them attend the industrial high school in the San Joaquín commune, where they have already begun their training as a textile technician. They both have dreams, they want to study, work, start a family and improve themselves. On the other hand, at the exclusive Saint George school, two students study in privileged conditions. They want to be professionals and develop through the arts. This is the portrait of two worlds located less than 20 kilometers apart and that can only be together in the audiovisual montage. It is the manifestation of the coincidences and contradictions that exist between the realities and the discourses of four young Chilean students in a fundamental stage for their future.

Swiss television documentary on the first years of the dictatorship, filmed (in color) in 1977 by a team led by director André Gazut and journalist Claude Smadja. Strongly critical of authoritarianism and the failures of the economic model that was beginning to be adopted, the report shows different aspects of the ideological and technical implementation of the military government. From the purge in universities to the precariousness of the Minimum Employment Program, from the revenge of employers in the countryside to the lamentable composition of the constitutional commission, the show is full of conversations with personalities close to the regime (Jaime Guzmán, Maximilianio Errázuriz, Manuel Valdés, Ruy Barbosa, Arturo Fontaine Aldunate, among others) which is interspersed with testimonies from residents and farmers, victims of violence and poverty.

Concert by Víctor Jara at Panamericana Televisión in Lima, Peru, on July 17, 1973. This is one of the last audiovisual records of Víctor Jara. Two months later he would be assassinated by the Chilean military dictatorship.

Documentary short about the death of Chilean general René Schneider by the CIA, following the election of Salvador Allende as president of the nation.

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

Documentary about the independence and history of Latin America.

During the first days after the 1973 Chilean coup d’état, the political leadership of the Popular Unity government was arrested and transferred to Dawson Island, Magallanes Region, extreme south of Chile and the mainland. The wives of the then political prisoners began an incessant effort to find out the whereabouts of their husbands and then try to return them alive. In these circumstances, they meet and spontaneously organize into a group they call the “Dawsonianas.”

"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.

Quebec, on the cusp of the 1960s. The province is on the brink of momentous change. Deftly selecting clips from nearly 200 films from the National Film Board of Canada archives, director Luc Bourdon reinterprets the historical record, offering us a new and distinctive perspective on the Quiet Revolution.

The chronicle of the political tension in Chile in 1973 and of the violent counter revolution against the democratically elected government of Salvador Allende.

Guzmán’s final installment shifts from covering the actions of Allende’s opponents to those who battled to revive & promote their toppled leader’s vision for a new Chile.

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

From the heights of her modeling fame to her tragic death, this documentary reveals Anna Nicole Smith through the eyes of the people closest to her.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

A documentary examining the decade of the 1970s as a turning point in American cinema. Some of today's best filmmakers interview the influential directors of that time.

Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of two mysterious buttons which were found on its ocean floor. Chile, with its 2,670 miles of coastline and the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people, the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.

A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.