
Acting
Mar 19, 1929
Gijón, Asturias, Spain
Germán Robles
Acting
Biography
Germán Horacio Robles (born March 20, 1929 in Gijón, Asturias, Spain) was a Spanish-Mexican film, theater, television, and voice actor. He came to Mexico when he was 17, after Spain’s civil war. His slim figure contrasts with his deep, calm, elegant voice. In Mexican cinema, he best known for his amazing characterization of vampires in many cult movies, especially in El Vampiro. He is said to have influenced Christopher Lee’s performance in his vampire films. Another well known performance is his dubbing the voice of KITT in the Latin American broadcast of Knight Rider. He died on November 21, 2015 in Mexico City, Mexico.
Feature Films (55)

Three moments in the life of Fray Bartolomé de Las Casas; his youth encounter with the natives; his resignation in maturity to lands and encomiendas to evangelize and defend justice and dignity against the cruelty of the Spanish and his reflections at the end of his life
Fray Bartolomé de las Casas

A group of archaeologists break into the tomb of an ancient Aztec general, arousing the warrior's head and sending his undead servant out to take revenge on the careless scientists.
The Living Head

A vengeful widow seduces and murders the men and women responsible for her husband’s suicide.
She Killed in Ecstasy

Vampire hunters track down a vampire and attempt to steal the ashes from his coffin in order to stop him from reviving nightly.
The Blood of Nostradamus

A professor and a vampire hunter join forces to destroy the murderous vampire Nostradamus and his minions.
Nostradamus and the Destroyer of Monsters

In order to stop a vampire from terrorizing the countryside, some locals decide to break into his coffin at night and steal his ashes. Complications ensue.
Nostradamus: The Genie of Darkness

In 1661 Mexico, Baron Vitelius is executed for witchcraft. 300 years later, during a comet's return, he resurfaces as a brain-eating monster seeking revenge on the Inquisitors' descendants.
The Brainiac

The life of a woman changes completely after the murder of her mother and when she comes to live with her aunt, she realizes that she keeps a secret that has remained hidden and protected for centuries.
The Secret

The human and divine justice are exposed through five real life stories related to the legal processes of a prison. The cases presented are: "I want to stay in jail", "Blood between women", "The raped prostitute", "The kidnapped policeman", and "Euthanasia or murder?"
Reclusorio

In Sierra Negra, graverobbers Barraza and Mendoza steal the coffin of Count Karol de Lavud, before heading to a hospital. Barraza sees a medallion upon the coffin's opening and demands more money from Mendoza. Meanwhile, Marta González, recovering from traumatic events, works as a nurse with Dr. Saldívar. When Barraza removes the wooden stake in order to steal Lavud's medallion, the vampire returns to life and begins a crime spree, hunting down Marta to marry her.
The Vampire's Coffin
Television & Series (6)

A poor but beautiful woman comes to the city looking for her husband ... who is married to another woman, the evil Gloria. While she falls in love to a handsome and good hearted doctor, she decides to work at nights to earn money at a "Model School" which is, in reality, a high profile brothel...
Viviana

Amor de nadie is a Mexican telenovela produced by Carla Estrada for Televisa and originally broadcast on Canal de las Estrellas from September 10, 1990, to June 14, 1991. Created by Eric Vonn, with literary editing by Marcia del Río, the telenovela stars Lucía Méndez, Saúl Lisazo, Fernando Allende, and Bertín Osborne. It was Lucía Méndez's final telenovela as a leading actress for Televisa during this period. The story follows Sofía Hernández, a young woman from a humble mining town who dreams of leaving her difficult life behind. After suffering betrayal and hardship, she moves to Mexico City to pursue a career as a model. Along the way, she faces jealousy, ambition, family conflicts, and complicated relationships while searching for love and a better future.
Amor de nadie

The story is set at a prestigious, but rigid and repressive school called Instituto Vidal. Its strict owner, Julia Vidal, was once kind but has now turned into a bitter woman following the death of her husband and her daughter, Lauriel. Her granddaughter, Ana, a very sweet and intelligent 10 year old, also has been affected by the death: She has been rendered virtually speechless by the trauma, though she expresses herself through music and possesses an extraordinary ability to move objects with her mind. Ana's unscrupulous father, Francisco Capistrán, however, has taken advantage of the situation to try to steal Julia's school. The timely arrival of Ana's uncle, Salvador, Amanda and her adopted son changes everything. Ana’s sad and lonely life takes an unexpected turn for the better and she regains her joy in a series of adventures bursting with humor, excitement, music and thrilling surprises.





