Chuck Jones

In this story, Horton discovers there is a microscopic community of intelligent beings called the Who's living on a plant that only he can hear. Recognising the dangers they face, he resolves to keep them safe. However, the other animals around him think Horton has gone crazy thinking that there are such beings.

Blending the animation of Chuck Jones’ original drawings, traditional documentary elements, and one of Jones’ most intimate interviews before his death in 2002, this biography imaginatively brings to life the complicated and difficult childhood of the man who dreamed up Bugs Bunny and Daffy Duck.

Narrated by Billy Crystal, the documentary examines the history of the character over the decades, including sketches, clips from the shorts, and interviews with the animation legends who created some of the most memorable Bugs material

Daffy Duck convinces Porky Pig to quit the cartoon biz and try his luck in the features. Porky's adventures begin when he tries to enter the movie studio.

Largely considered to be the greatest American author, Mark Twain is celebrated in this exhaustive documentary by filmmaker Ken Burns.

Documentary on animator Chuck Jones.

Documentary about WWII propaganda cartoons.

Phil Hartman hosts this retrospective look back at the legacy and making of the classic 1966 holiday special 'How the Grinch Stole Christmas!'

Test pilot Tuck Pendleton volunteers to test a special vessel for a miniaturization experiment. Accidentally injected into a neurotic hypochondriac, Jack Putter, Tuck must convince Jack to find his ex-girlfriend, Lydia Maxwell, to help him extract Tuck and his ship and re-enlarge them before his oxygen runs out.

Pogo and his friends celebrate various holidays in their own special ways, while Porkypine does his best to woo Mademoiselle Hepzibah.

The amazing story of the animograph, a machine created in France in the sixties by the cartoonist and self-taught inventor Jean Dejoux (1922-2015), whose creation was intended to revolutionize the animation industry.

There's not a person in the world who wouldn't recognize Mickey Mouse. But until now, not many knew the man who originally gave shape, movement and personality to the world's most beloved icon. "The Hand Behind the Mouse: The Ub Iwerks Story" takes you behind the scenes to meet Walt Disney's best friend and chief animator.

Thrifty, folksy and cantankerous, Matlock charges a premium for his services but is worth every penny: This renowned attorney, always clothed in his trademark light-gray suit and driving his signature Ford Crown Victoria, has an uncanny knack for finding overlooked clues and exposing murderers in dramatic courtroom scenes.

Curiosity Shop is an American children's educational television program produced by ABC-TV in 1971, capitalizing on the success of Sesame Street. Sponsored by the Kellogg's cereal company, Curiosity Shop was broadcast Saturday mornings from September 11, 1971, to January 6, 1973. The program featured three inquisitive children who each week visited a shop populated with various puppets and gadgets, discovering interesting things about science, nature and history. Each hour-long show covered a specific theme: clothing, music, dance, weather, the five senses, space, time, rules, flight, dolls, etc.

An annual American awards ceremony honoring cinematic achievements in the film industry. The various category winners are awarded a copy of a statuette, officially the Academy Award of Merit, that is better known by its nickname Oscar.

Mark Twain is a documentary film on the life of Mark Twain also known as Samuel Clements produced by Ken Burns in 2001. Burns captures both the public and private persona of Mark Twain from his birth to his death. The film was narrated by Keith David and the voice of Mark Twain was provided by Kevin Conway.

Camera Three is an American variety show devoted to the arts. It ran on CBS from January 22, 1956 to January 21, 1979, and moved to PBS in its final year to make way for the then-new CBS News Sunday Morning. The PBS version ran from October 4, 1979 to July 10, 1980. Camera Three featured programs showcasing drama, ballet, art, music, anything involving fine arts. One of its most notable presentations was a condensation of Marc Blitzstein's leftist opera The Cradle Will Rock. Presented on November 29, 1964, it was a dramatic demonstration of how far television had come since its early days, in its willingness to present a work that surely would have been banned from the airwaves during the era of Joseph McCarthy.