Acting
Oct 4, 1915
Paris, France
Blanchette Brunoy
Acting
Biography
From Wikipedia, the free encyclopedia. Blanchette Brunoy (5 October 1915 — 3 April 2005) was a French actress, who had appeared in over 90 film and television productions between 1936 and 1998. She was born Blanche Bilhaud in Paris as the daughter of a physician, and died in Manosque, Alpes-de-Haute-Provence of natural causes. She was the goddaughter of writer Georges Duhamel, and studied acting at Conservatoire de Paris. Brunoy is possibly best-remembered for her roles in such films as Jean Renoir's La Bête Humaine (1938), and Marcel Carnés La Marie du port (1950). She was married twice to both actors Robert Hommet (?—1958) and Maurice Maillot (1961—1968) until their death. Description above from the Wikipedia article Blanchette Brunoy, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Feature Films (60)
In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.
Henri-Georges Clouzot's Inferno
Returning by train to the French port of Le Havre, Jacques Lantier, a tormented railwayman, meets by chance the impulsive stationmaster Roubard and Séverine, his wife.
La Bête Humaine
The Martin family is shopping in a department store. Tiennot is responsible for looking after his little brother, Bébert, but he prefers to chase girls. On the train home, Tiennot leaves Bébert alone. On arrival, Bébert has disappeared. The Martin family sets out to find him.
Bebert and the Train
The struggles of a small business owner come to light in this film by director André Cayatte. The proprietor of a fabric shop, M. Baudu faces stiff competition when a department store moves in across the street, the first of its kind in 1860s Paris. On top of the stresses associated with the rival retailer, Baudu’s niece and two nephews take up residence with him after recently being orphaned. The niece, Denise Baudu, sees the writing on the wall for her uncle’s business so she takes a job as a shop girl with his competitor and despite her success the decision does not register well with the family.
Shop Girls of Paris
Julien Couturier and his wife Louise, a young couple from Auvergne who have come to Paris to try their luck for the first time in their lives, become the owners of the "Café du Cadran" ("Clockface Cafe"). On opening day, they meet the people who will become their clientele. It's a busy place, with regular customers served by two waiters, Jules and Victor. While Julien is comfortable in his role as boss, Louise doesn't quite get used to this urban world, where everything moves faster, especially human feelings. She often misses Marcenait, the village in Auvergne where she and her husband ran the "Café du Commerce". Mr. Luigi, a café customer and violinist who performs at the "Café de Paris", has undertaken Louise's cultural education. He teaches her how to dress and do her hair, while recounting his musical successes and travels, skilfully playing on his undeniable seductiveness...
Clockface Cafe
Henri Chatelard is well into his forties, owns a restaurant and a cinema in the city, and appreciates women. When he meets Marie, an 18-ish strong-head who just lost her father in a small fishing village, it is not clear who is the hunter and who is the prey.
Marie of the Port
The very chic Parisian couturier Jean Granet has trouble with the police, and will find himself imprisoned for two weeks, in the provinces, for speeding. He manages to get himself replaced by his friend Lambelin who, for a fee, will serve the sentence in his place. This is the beginning of a series of misunderstandings.
La Peau d'un autre
The woman thief evades a young lady who is onto his game, but then tries his wiles elsewhere on a married woman by attempting to compromise and ruin the husband she is happy with.
The Woman Thief
"Altitude 3.200" asks the question and provides the premise of what would happen if a group of young people----poor, rich, discontented, bored--- were given an idyllic community in which to live. Call it a colony. Call it a village. Call it one-world. Mainly call it a futile exercise in changing human nature, mores, culture and attitudes at any altitude. For t'ain't no time before clashing personalities, petty jealousy, violence and---that old demon---love create havoc. And isn't much longer before they become re-united in the face of an avalanche that threatens to destroy them. They all return to whence they came, sadder and wiser.
Youth in Revolt
Comte de Larzac, an aging seducer, leaves Paris for Lannemezan. Accompanied by his friend Charmeuil, he goes there to acknowledge the paternity of Jean, a twenty-year old young man who knows nothing about his biological father. Jean, after falling for Jeanne, the daughter of a farmer, now courts Georgina, a middle-class woman of Romanian origin. After Father Jocasse has told Jean that he is Comte de Larzac's son, the young man follows his father to Paris. But he finds it hard to comply with the usages of high society and when his father refuses to consent to his marriage with Georgina, he returns to Lannemezan. Georgina is so upset by the count's refusal that she comes to see him and tells him very candidly about her past life. Moved by her plea, de Larzac drives her back to Lannemezan so that she can marry Jean. What was not expected is that, during the trip, they discover they are close to each other.
Dernière aventure
Beautiful and adored by the public, the great actress Florence once faulted with Remi, a disreputable individual. A little girl was born who lives in the countryside. Dorcier, the director, would like to marry Florence and wonders about her private life and her past existence. A jealous rival unleashes slander.
