
Acting
Hong Kong, China
Ho Pak-Kwong
Acting
Biography
Ho Pak-kwong (Chinese: 何柏光) is a Hong Kong actor. He's known for his work in the 1970s and 1980s, which he appeared in numerous famous films, often in supporting roles.
Feature Films (193)

Hong Kong was quickly becoming industrialised in the 1960s. The market was hungry for female labourers with a grasp of crafting skills. In addition to being wives and mothers, many women entered the labour market at that time. This ‘streamlined comedy' (as it was advertised) is called Three Love Affairs, but the main action is centred on the lovers played by Ting Ying and Cheung Yee. In order to make themselves more appealing, the factory girl pretends to be the daughter of a successful businessman, while the chauffeur pretends to be from a wealthy family. Their relationship is fraught with worry and anxiety, because they are confused about their own identities, and have not yet come to terms with themselves and their lives. With the support of the Manufacturers' Association, the film was shot on location at an actual factory, evidencing a prosperous period in Hong Kong's industrial history.
Three Love Affairs

Madam Kum is a well-known dance hall girl. She gave birth to her daughter Yin-fan. Kum gave her to some relatives. Nineteen years go by, and Kum accidentally runs into Fan's husband, Man-fai, in Singapore. She tells him everything. Fai is surprised but accepts the truth. They have a talk and agree not to reveal the truth to Fan. However, Fai promises Kum that he will arrange for her to see Fan. Gum starts to see Fan on public occasions. Bing-chiu, who has been chasing after Fan since college, runs into Fai and Kum. He tells Fan about it. Fan goes to Kum to ask her not to destroy her family. Kum is hurt but still does tell her the truth. She decides to returns to Singapore. She goes to Fan's house to see her once more. Fan is having her birthday party. She insults Kum and throws a glass of wine in her face. Fai cannot stand it anymore and tells his wife who Kum really is. Fan feels guilty. All the others are moved by what Kum has suffered and they start to accept her.
Madam Kam

Seeking revenge for the murder of his family, a man returns to Hong Kong to track down the killers. He becomes enthralled in further intrigue when his new boss is targeted by the same group.
Deadly Duo

A disease carried by common cockroaches is killing Manhattan children. In an effort to stop the epidemic an entomologist, Susan Tyler, creates a mutant breed of insect that secretes a fluid to kill the roaches. This mutant breed was engineered to die after one generation, but three years later Susan finds out that the species has survived and evolved into a large, gruesome monster that can mimic human form.
Mimic

After the events of The One-Armed Swordsman (1967), a retired Fang Gang is drawn back into the jianghu to protect various young apprentices whose swordsmanship schools have been terrorized by 8 evil swordsmen seeking to rule the jianghu.
Return of the One-Armed Swordsman

Golden Swallow revolves around the further adventures of its title character. This time around, she is forced into violence when a figure from her mysterious past goes on a killing rampage while leaving evidence that holds her responsible. Golden Swallow also makes room for a love triangle involving a mad, but righteous, swordsman named Silver Roc and a gentle warrior named Golden Whip. The three team up to conquer the evil forces of the martial world, but their joint venture only lasts so long, due to the two men's egos. Ultimately, a duel to the death is planned between them, leaving Golden Swallow caught between two men, both of whom she admires.
Golden Swallow

Leaving the poverty of his life in Shantung to seek fortune in Shanghai, The Boxer is instead drawn into a world of corruption, gang warfare and evil... Where his only protection is his famed fighting technique.
The Boxer from Shantung

Ying Ke-Feng, head of Peerless Manor, is an expert swordsman whose escort business transports 200,000 taels of silver to the capital each year. This year, however, he is afflicted with an infirmity that renders him unable to use his sword.
Have Sword, Will Travel

Chan Chuen directed this story about the many problems besetting Hong Kong youth when they reach that "energetic" age of 21.
Energetic-21

Mistaken Identity is a Hong Kong Crime-Comedy directed by Tsui Siu-Ming and starring Richard Ng.
Mistaken Identity
Television & Series (5)

The rapid economic growth of Hong Kong in the 60s leads to the growth of a lot of industrialists and investors – a legend from rags to riches overnight. The story depicts the venture of a village boy, KEI, who works with great zeal to improve his life. LIN and MAY are the two most influential characters in KEI's life. LIN, a good friend of KEI, comes from a wealthy family plays an important role in bringing KEI to great success Yet, they later turn to be enemies when the two men fall in love with the same girl, MAY. MAY meets KEI and LIN together in Macau. LIN adores her deeply yet she, on the contrary, is very impressed by KEI's courtesy and handsome look. This triangular love relation adds romance to the original plots making "Road to Success" a more human and appealing story......
Road to Success

Follows the lives of three young doctors fresh from medical school, and embarking on their new careers.
Bloodletting & Miraculous Cures

Follows a fair parole officer and his parolee who wants to go straight but his former business associates are after him.
Street Time

Yellowthread Street is a 1990 ITV police procedural developed by Ranald Graham. Adapted from the novels by William Leonard Marshall, the thirteen episode series revolves around the Triad-busting cases of a group of Royal Hong Kong Police Force detectives, based in the colony’s Yellowthread precinct. Despite being a critical and ratings hit, Yellowthread Street never caught on, perhaps the result of the exotic setting and expensive production (it was shot on 35mm). It also seemed caught between two eras: conceived in the 1980s and produced at the turn of that decade, its philosophy and look seemed a little dated compared to other modern shows of the genre (i.e. The Bill).



