Bengt Eklund

A married priest woos a seamstress.

His name is Carl Hamilton from a Swedish noble family - trained by the CIA and a army SEAL. When a group of terrorists based in Sweden threatens to initiate their diabolic plans - the Coq Rouge Carl Hamilton is activated.

Görel and Arne are about to get a divorce. Görel thinks back on how history has repeated itself within her family.

In postwar Sweden, a gifted young pianist’s life is transformed after a tragic accident leaves him blind. Struggling with bitterness, isolation, and the loss of his former world, he finds unexpected support and companionship from a compassionate young woman who helps him rebuild his sense of purpose. As their relationship deepens over the years, both must confront questions of pride, class, and emotional vulnerability in order to move forward.

A suicidal factory girl, just out of reformatory school and anxious to escape her overbearing mother, falls in love with a sailor who can't forgive her past.

A fractured portrait of desire and isolation, following a failing marriage and parallel stories of emotional entrapment as memories surface during a train journey through postwar Europe. Told through flashbacks and multiple narrative threads, the film signals Ingmar Bergman’s emerging mature style.

Margareta, newly engaged with count Carl Anckarberg, visits his estate for the first time. During the visit she gets to know that his last fiancee died in a mysterious accident and she sets out to discover what really happened. Plot by Mattias Thuresson.

Anna and Karl are a young couple in Stockholm, unable to find an apartment of their own. However, they play matchmakers to make their friends Fredrik and Ulla to get together, getting an apartment of their own that way. Plot by Mattias Thuresson.

Four young criminals are planning a heist against a racecourse and in order to obtain a seed capital they rob a gambling den. They celebrate the successful heist by throwing a party but it turns out to be a lot of disagreement within the group.

Three Scottish noblemen escape from Gripsholm Castle and break into the home of Lord Arne. They kill everyone except for Lord Arne's adopted daughter Elsalill.

A member of "Sjöbjörnarna" (a group of executives), asks the newspaper editor Dick Mattson to find Brita Ljungdahl, the former wife of another of the members. The first clue he tries is to ask a certain Maria Vaern, who knows Brita.

Sten Stensson Stéen dies when he gets a wooden box in his head, and he enters heaven in a balloon.

This is a Swedish remake based on The Scarf, the British original from 1959 (script : Francis Durbridge). The English script was translated to Swedish by Ulla Berthel and Börje Lindell. The Swedish version retains the English setting.

Vi på Saltkråkan is a Swedish TV series in 13 25-minute episodes from 1964. The script for the series was written by Astrid Lindgren, who later re-wrote it as a book, also titled Vi på Saltkråkan. Astrid Lindgren was closely involved in the filming and editing of the series, which took place on Norröra in the Stockholm archipelago. The series was produced and directed by Olle Hellbom.

A psychiatrist temporarily separated from her family begins to experience severe psychological distress while working at a mental hospital and returning to her childhood home. As her professional responsibilities and personal relationships intersect, she undergoes a breakdown that forces her to confront long-suppressed memories and fears. (Note: This entry refers to the 1976 four-part Swedish television miniseries. A condensed theatrical feature edited from the same material was released separately in 1976.)

Depicts "Statarna", the Swedish agricultural proletarians, set during the early 1900s. An institutionalized brutality of oppression and poverty surrounded by a beautiful and silent countryside.