Nikola Pejaković

Angel and the devil fight for the soul of a Belgrade playboy who made a young girl pregnant.

In this sequel of "We Are Not Angels", a highly successful Yugoslavian comedy, a former playboy must cope with his daughter's adolescence, as well as numerous boys that keep knocking at her doors. A worried father thinks she may get in type of troubles he used to cause when he was just the age of her wooers.

We Are Not Angels III is a Serbian film. In 1973 during a Youth Work Action, budding musician Borko Pavić (Nikola Pejaković) is disappointed to find out that the majority of his fellow young workers prefer to dance kolo to folkish harmonica sounds rather than listening to him play his acoustic guitar. Heartbroken and depressed he confides in his best friend that he read that in America the young people make the devil appear by playing the music backwards who then makes them rich and famous. He becomes the mega popular rock'n'roll superstar Dorijan. Cut to 30+ years later Dorijan is still a debauched, coke-snorting, and alcoholic superstar, except that he's now playing turbo folk instead of rock'n'roll. He lives with a silicone trophy girlfriend Smokvica and his best friend from childhood is his business manager. Despite still having his women, fame, and fortune, Dorijan is unhappy about having to resort to playing a musical style he hates in order to have all that.

In the opening stages of the Bosnian War, a small group of Serbian soldiers are trapped in a tunnel by a Muslim force.

The basic plot revolves around drug dealer Limeni and two men, Lemi and Kiza, who are trying to transport their dead grandfather for burial, until their car breaks down and they end up struggling to get him home onboard a train. This is when these two plots intersect and all hell breaks loose.

Belgrade, 1999. Producer Sergei and his film crew are in a disastrous situation - the film they're making is under threat - there's no money, the crew are dissatisfied - and NATO bombing is just around the corner. Then a member of the State Security Service (Mileta) comes looking for American co-producer Harvey. Anxious and worried, in the midst of the bombing that's begun, Sergei hides Harvey from what he thinks is awaiting him - arrest. During the night, he thinks up a plan. He announces the start of filming on a new, patriotic film - in which the main role will be played by Harvey. The plan works - the State supports the film and Mileta, as the State's representative, joins the crew. However, the underlying conflict between Mileta and Sergei explodes during the first screening. Mileta accuses them of being artists, and not being patriots.

Belgrade during the height of the war Yugoslavia in 1999. Kaja struggles with daily destruction and the constant threat of being drafted, but also with his impending divorce from his wife Tijana, who wants to emigrate with their son.

The story takes place in modern-day eastern Serbia, still fertile ground for various forms of superstition and prejudice. Zorica is a village girl who carries a curse. Ever since her first boyriend mysteriously drowned in the river, men around her are dying in most bizarre ways. The plot thickens when stubborn policeman Maane who doesn't believe in 'village tales' tries to investigate whether Zorica is a serial killer or a girl looking for love.

Ivan teaches history in a Belgrade high school. In his class, Ivan is provoked by a student and ends up slapping him on the face. In Serbia, in the heat of transitional changes, Ivan’s presence in school is no longer welcomed. He finds a temporary job opportunity in a war-scarred mountain village in Bosnia. On his way there, he meets Yasmina, a young Muslim woman, back from Germany to her homeland after the war and after being invited by an old friend – Hazim - who now runs a motel. A lone kiss in a stormy night, in a village still lying in ruins, will bring Yasmina and Ivan closer together in a joint escape from reality and to a ride on a dusty bus, where neither one of them wants to sit next to the window.

A half-mad patriot who shot Avax from the roof of his house captures its American pilot during NATO bombing of Yugoslavia in 1999. The hostage gets romantically involved with his sister while unsuccessfully trying to escape.

Made for New Year's Eve program, "Two Hours of Quality Program" exceeded all expectations becoming more than just a small TV movie. Using black humor as its sharp weapon, it dealt with ongoing chaos in the country and the introduction of new values to the urban culture.

Set in the 1930s, it follows the imaginary journey of Vuk Karadzic and Joakim Vujic across Serbia in the form of a road movie. Once in Kragujevac, where they ask support from Prince Milos Obrenovic, they realize that they are competition to one another in terms of the future of Serbian language.

The 2020 theatrical film of the same name reedited into a seven part mini-series. A middle-aged former criminal has little time to live due to cancer, so he gets to see his son after 5 years to spend his last week with him and teach him the principles he considers important in life.

This series takes viewers on a journey in the 1930s, under the roof of the hotel, where the past and the present merge. The focus of the series is business of a prominent Banja Luka family, entangled in numerous intrigues.

A young member of a gang in Belgrade puts his family in danger when he angers a mafia boss.

Taking place just after the end of Bosnian War, the series is mostly set in a kafana named Složna braća owned by Halimić brothers and located on a small patch of UN-controlled territory (covering 0.0657 km2) not claimed by any of the three warring sides. Serbs, Bosniaks, and Croats, otherwise very hostile to each other following a ferocious civil war, regularly visit the said kafana in no man's land in order to arrange mutual black market activities (weapons and food trade, oil and cigarette smuggling, etc.). When the word gets around about an important weapons shipment passing through the territory that can supposedly completely change the division of power in the Balkans, the place becomes a lively hub of espionage, deal making, and skulduggery.

The story of a musician, former drug addict and drug dealer named Slobodan Milosevic.