Directing
Dec 8, 1929
New York City, New York, USA
John Cassavetes
Directing
Biography
John Nicholas Cassavetes (December 9, 1929 – February 3, 1989) was an American actor, film director, and screenwriter. First known as an actor on television and in film, Cassavetes also became a pioneer of American independent cinema, writing and directing movies financed in part with income from his acting work. AllMovie called him "an iconoclastic maverick," while The New Yorker suggested that he "may be the most influential American director of the last half century." As an actor, Cassavetes starred in notable Hollywood films throughout the 1950s and 1960s, including Edge of the City (1957), The Dirty Dozen (1967), and Rosemary's Baby (1968). He began his directing career with the 1959 independent feature Shadows and followed with independent productions such as Faces (1968), Husbands (1970), A Woman Under the Influence (1974), Opening Night (1977), and Love Streams (1984), in addition to intermittent studio work. Cassavetes' films employed an actor-centered approach which privileged character examination over traditional Hollywood storytelling or stylized production values. His films became associated with an improvisational, cinéma vérité aesthetic. He collaborated frequently with a rotating group of friends, crew members, and actors, including his wife Gena Rowlands, Peter Falk, Ben Gazzara, and Seymour Cassel. For his role in The Dirty Dozen, Cassavetes received a Best Supporting Actor nomination. As a filmmaker, he was nominated for Best Original Screenplay for Faces (1968) and Best Director for A Woman Under the Influence (1974).
Feature Films (53)
12 American military prisoners in World War II are ordered to infiltrate a well-guarded enemy château and kill the Nazi officers vacationing there. The soldiers, most of whom are facing death sentences for a variety of violent crimes, agree to the mission and the possible commuting of their sentences.
The Dirty Dozen
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
Rosemary's Baby
A psychotic sniper plans a massive killing spree in a Los Angeles football stadium during a major championship game. The police, led by Captain Peter Holly and the SWAT commander, learn of the plot and rush to the scene.
Two-Minute Warning
A hit man and his partner try to find out why their latest victim, a former race-car driver, did not try to get away.
The Killers
Ken Harrison is an artist that lives to make sculptures. One day he is involved in a car accident, and is paralyzed from his neck down. All he can do is talk and move his head, and he wants to die. Whilst he is in hospital he makes friends with some of the staff, and they support him when he goes to trial to be allowed to die.
Whose Life Is It Anyway?
When a devious plot separates CIA agent Peter Sandza from his son, Robin, the distraught father manages to see through the ruse. Taken because of his psychic abilities, Robin is being held by Ben Childress, who is studying people with supernatural powers in hopes of developing their talents as weapons. Soon Peter pairs up with Gillian, a teen who has telekinesis, to find and rescue Robin.
The Fury
Television & Series (41)
Columbo is a friendly, verbose, disheveled-looking police detective who is consistently underestimated by his suspects. Despite his unprepossessing appearance and apparent absentmindedness, he shrewdly solves all of his cases and secures all evidence needed for indictment. His formidable eye for detail and meticulously dedicated approach often become clear to the killer only late in the storyline.
Columbo
Burke's Law is an American detective series that ran on ABC from 1963 to 1965 and was revived on CBS in the 1990s. The show starred Gene Barry as Amos Burke, millionaire captain of Los Angeles police homicide division, who was chauffeured around to solve crimes in his Rolls-Royce Silver Cloud II.
Burke's Law
Join the crew of the Seaview aboard their super high-tech submarine, where no mission is too dangerous and no threat is too deadly, be it enemy agents, mad scientists, deadly sea creatures, or impending nuclear disaster.
Voyage to the Bottom of the Sea
An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.
