Henri Guybet

All the inhabitants of an old house are swindlers, dreaming only of the big score that will enable them to survive an announced eviction. They end up pulling it off together, by building a fake tollgate.

In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader. The two dress up as rabbis as they try to elude not only assasins from Slimane's country, but also the police, who think Pivert is a murderer. Pivert ends up posing as Rabbi Jacob, a beloved figure who's returned to France for his first visit after 30 years in the United States. Adding to the confusion are Pivert's dentist-wife, who thinks her husband is leaving her for another woman, their daughter, who's about to get married, and a Parisian neighborhood filled with people eager to celebrate the return of Rabbi Jacob.

Humiliated and down on his luck, a superintendent turns his life around when he decides to write a book.

The students of a local school unite in mutiny against their headmaster and two teachers.

Nicolas Philibert goes to America after killing a French aristocrat. On his return he tries to divorce his wife, Charlotte, but when he sees others trying to woo her his own interest is rekindled.

With "little captain" Cambrai raising serious doubts about the reality of the so-called "super spy," Colonel Toulouse kidnaps Christine and forces Francois to play again the character of "The Tall Blond Man with One Black Shoe" in some fake adventures. All this to stop the investigation into the death of Colonel Milan.

At the end of the 1950s, four humor specialists simultaneously experienced recognition. Fernandel with “The Cow and the Prisoner”, Bourvil with “The Hunchback”, Jacques Tati with “My Uncle” and Louis de Funès with “Oscar” at the theater. On the big screen or on stage, each of these artists has a unique style of humor. They are the kings of French comedy. But how did they manage to become true box office champions? How did they experience their immense popularity? How do they still influence the comedy genre? And above all, are- are they funny in life? Where is the line between their character in the cinema and their real personality?

The film story depicts Emile Buisson, following the death of his wife and child, escaping from a psychiatric institution in 1947 and returning to Paris. Buisson, who three years later would become France's public enemy number one, begins a murderous rampage through the French capital.

The students of a prestigious law school try their best to mess things up.

Between Alice, a hospital nurse and Aldo, a shampoo sales representative, things have turned sour of late. Alice blames her husband for lacking ambition and contemplates divorce.One day Aldo wins the ten million euro lotto prize. But, unwilling to share the bonanza, he keeps mum about it, all the more as he finds out Alice has an affair with Gérard, Aldo's former friend and ... new boss. However, Aldo, leading a double life, starts spending his money ...

A bank clerk is given an unusual retirement gift, a high class call girl. Unaware that he has been 'set up' by colleagues the man goes with the girl to Venice where he enjoys his new found virility.

Romance takes a back seat to drama in this movie depicting life at the once-fashionable Parisian bordello known by its address 122 Rue de Provence. Patronized by the wealthy and powerful, this elegant house of prostitution featured a top-ranked restaurant and specialized rooms for men with unusual tastes: a railroad carriage room, a stable room, etc. In the story, two young people "on the make" bump into each other as they are arriving in the same rail station. Though attracted to one another, they are deliberately vague about their destinations. He is headed for a diplomatic career, she is an ambitious young prostitute who wants to work at the best house in France. Later, they meet at 122 Rue de Provence.

No overview available.

Scènes de ménages depicts the daily lives of several couples from different generations, illustrating with humor their arguments, tender moments and little idiosyncrasies. Each episode is made up of short sketches, in which the characters exchange scathing retorts and funny situations.

No overview available.

No overview available.

No overview available.

Iznogoud is the Grand Vizier a.k.a. second in command Sultan of Baghdad Haroun El Plassid (a pun on the historical Caliph, Harun al-Rashid) and his sole aim in life is to overthrow the Sultan and take his place. Iznogoud is always assisted in his plans by his faithful henchman, Wa'at Alahf. But he's ultimately unsuccessful, and his plans always fall apart in a hilarious way, usually backfireing at him, while the Sultan goes unharmed.