Alekos Alexandrakis

The strict and formal director Lila Vassiliou has under her orders all the staff of the technical office of which she takes over the management, but at the same time, she is looking to find ways of charm to conquer the lively sub-engineer Alekos Samiotakis.

The murder of an underworld figure, Takis Katridis, puts Martha, a young girl who was in love with him, as well as her father, craftsman Giannis, in the dock. Each one of them, separately, claims to be the guilty one, so that the other won’t go to prison.

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

Vasilis is a poor conservative man who works in a company and tends to buy the lottery very often - but with no luck. His life will turn upside down when his younger sister turns out to be an anarchist and gets involved with a leftist rebellious man he already knows and hates. Eventually, in an ironic twist of faith, the two of them will earn millions and gain the exact lifestyle they used to fight against and Vasilis will lose his mind.

Captain Giakoumis makes the big decision to forsake the sea and live peacefully close to his wife and his adopted son, Andreas, who is about to sit for examinations in order to become a lieutenant. However, a terrible secret burdens his soul. He has a daughter, Agni, whom he had years ago when he had an affair with Maria, a prostitute from Troumpa. Maria, before she died, expressed the wish that Giakoumis recognize their daughter as his child. He, however, refused, since Agni ended up becoming a prostitute. The girl, to take revenge on her father, starts an affair with her half-brother with the intention of dragging him down into the mud. In the end, however, she falls in love with him, and this love blesses everyone and everything.

Mika is a young woman living in a crazy ... family. Her mother, Pasta Flora, is alienated, her little sister is uncontrollable, and her father is a good, but cowardly, man. She's engaged to Mikis but the day before their wedding she goes to Venice and marries Andreas, who, after meeting her family, he undertakes to make sense of them.

A poor neighborhood of Athens, Asyrmatos, is the center of the world for the people who live there and try in every way to escape from poverty and destitution. A handsome released youth, Ricos (Alekos Alexandrakis), is trying to make money, at the same time that his lover, Stefi (Aliki Georgoulis), is seeing other men and her father, Nekrophoras (Manos Katrakis), is trying to contribute in family finances. Rico will set up a job, but will spend the money raised before he can put it into action. As a result, one of his "partners" (Alekos Petsos) will commit suicide, leaving his pregnant wife, Eleni (Aleka Paizis), to her fate. Rikos, his beloved and her father, defeated and disappointed because of the expectations that were never fulfilled, will be forced to come to terms with the harsh reality.

A journalist helps, famed policeman Becca, to solve the murder of a theater actress.

Two poor portable barrel piano players ramble through Greek countryside and play in fairs. They meet by chance with a rich runaway girl whose father offers a large reward to her finders.They have to choose between getting the reward or helping the girl with her renegade love affair.

Α crook turns a cabaret girl into a fine lady to use her as bait for his victims.

Mary and Nikos are a happily married couple whose life turns upside down when Mary’s friend, Lilly, borrows their new car. When Lilly crashes the car, she asks Mary to cover for her so that her husband doesn’t find about her new affair. The case of the car crash is brought to court, and Mary is accused. Things get so complicated that not even Lilly’s confession can solve the misunderstanding.

Pavlaras and Petrakis have spent the money that Kaiti's father gave them two years ago and continue to travel around Athens with their lantern. However, Pavlaras is not well and needs to rest, as recommended by his doctor. Petrakis collects money from their friends, but it is not enough to cover their expenses. He is then forced to secretly sell the lantern without Pavlaras' knowledge.

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When four siblings, Alexandros, Konstantinos, Natalia and Marianna lose their parents and learn that they will not inherit anything, as their father was in debt, they are forced to work, leaving behind the luxurious life they had. At the same time, Alexandros falls in love with Elli in Paxos, who is on vacation, his brother's girlfriend and later wife, while Natalia and Marianna experience love in the person of a bisexual and a married man respectively, without knowing the truth of course. Their kind-hearted and unfortunately paralyzed grandfather tries to find a solution to their problems.

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A series of events leads a group of young people, spending their summer on an Aegean island, to make life-changing decisions.

No overview available.

No overview available.

"Kokkinos Kyklos" is a series of standalone episodes based on crimes that shocked public opinion. However, the stories have been altered so that neither the people nor the situations are recognizable. The heroes of the series are sometimes the perpetrators and sometimes the victims, and their stories extend from the boundaries of drama to those of thriller. How far do these stories deviate from the truth? As much as people’s opinions differ amongst themselves, since each of us has their own personal truth. For this reason, the series doesn't simply aim to recreate a story or re-imagine characters. It doesn’t only want to entertain. It simultaneously attempts to make the viewer think by presenting another perspective – the perspective of one of the heroes of the story, who after much consideration is chosen as the central hero of the episode.