
Acting
May 2, 1928
Morlaix, Finistère, France
Julien Guiomar
Acting
Biography
Julien Guiomar (3 May 1928 in Morlaix, Finistère, Brittany – 22 November 2010 in Agen, Lot-et-Garonne, Aquitaine), was a French film actor. The actor had retired to the Dordogne at Monpazier. The person who incarnated Colonel Vincent in "Papy fait de la resistance", Jacques Tricatel in "L'Aile ou la cuisse", who had donned the police colonel's uniform in "Z", of Costa-Gavras, Who died at the age of 82 from heart disease in the night of 21–22 November at the Saint-Hilaire clinic where he had been hospitalized. The man, born in Morlaix, was also very fond of the south-west. "It was an exceptional being, simple, a very easy approach," says an Agenais of the world of the spectacle who had participated in a show organized for the 80 years of the comedian in Dordogne Périgord. Source: Article "Julien Guiomar" from Wikipedia in English, licensed under CC-BY-SA.
Feature Films (82)

Charles Duchemin, a well-known gourmet and publisher of a famous restaurant guide, is waging a war against fast food entrepreneur Tri- catel to save the French art of cooking. After having agreed to appear on a talk show to show his skills in naming food and wine by taste, he is confronted with two disasters: his son wants to become a clown rather than a restaurant tester and he, the famous Charles Duchemin, has lost his taste!
The Wing or the Thigh?

A middle-aged businessman faces bankruptcy after his partner's suicide and a rival's unscrupulous offer to buy his company. Determined to avoid the trap, he finds an unexpected solution through a prostitute.
Mado

A prominent politician is murdered during a demonstration. The government and army are trying to suppress the truth, but a tenacious magistrate is determined not to let them get away with it.
Z

Nicolas Philibert goes to America after killing a French aristocrat. On his return he tries to divorce his wife, Charlotte, but when he sees others trying to woo her his own interest is rekindled.
The Married Couple of the Year Two

The story of an imaginative boy who pretends he is the child of a sperm-laden Sicilian tomato upon which his mother accidentally fell.
Léolo

Guillaume has made it: A machine that can clean dirty air by simply sucking all dirt into air balloons and then shipping them far far away so his explanation. Some Japanese business guys, after dinner with a lot of alcohol, order 5,000 pieces. His only problem: His production capacity is way to small so he gets to produce the machines in his private house. His wife Bernadette is far from being happy about it. Her private life goes down the line so she decides to leave Guillaume and to finally have revenge she candidates for major against her husband...
The Discord

Due to an unfortunate accident involving Obelix throwing a menhir, Getafix the druid not only loses his memory, but goes completely mad. Now deprived of the wisdom of their beloved druid and the protection provided by his magic potion, the Armorican village falls prey to a proclaimed soothsayer who comes with ominous predictions and overweening ambitions. It's up to Asterix to keep his villager friends within reason and hopefully get Getafix to remember the magic potion's recipe before the impending Roman attack.
Asterix and the Big Fight

A detective, fresh out of the academy (lowest mark in class), gets the assignment to bodyguard a spoiled rich girl reporter. She's been interviewed on TV and has questioned the virility of a mobster who kidnaps her later.
Inspector Blunder

In 1930s Marseilles two small-time crooks decide to join forces when they meet while brawling over a woman. Starting with fixed horse races and boxing matches, they soon find themselves doing jobs for the local gangster bosses. When they decide to go into the business for themselves, their easy-going approach to crime starts to change.
Borsalino

Mike (Jean-Paul Belmondo) is a stuntman who works with his girlfriend Jane (Raquel Welch). On their wedding day Mike and Jane are forced by producers to do a stunt for a film they are working on. Mike, annoyed doesn't look on the road and crashes the car causing them to end up in a hospital. After they come out Jane doesn't want to talk to Mike so he decides to get her a job in a film in which he is a stunt double for his double who is a star in action pictures but is in fact a wimp.
Animal

Victor Vautier is incorrigible: he's in constant motion, working several cons at once, using different names and changing disguises. He's charming and outrageous, incapable of uttering a sentence that isn't embellished or an outright lie. His life goal is to make enough money to build a sea wall to protect Mont-Saint-Michel. Charlotte, a parole officer, shows up: she's young and seems taken in by Victor. He discovers she lives above the Senlus Museum, where her parents are the curators. With two pals he decides to steal a priceless El Greco triptych and then ransom it back to the cultural ministry. What will Charlotte do when she realizes he's used her to make a fortune?
Incorrigible

In the 1930s, we follow the story of the laundress Berthe who marries the eldest son of a bourgeois family.
French Provincial
Television & Series (6)

A 3 part drama series about the notorious powerful Borgia family who took power in Italy in the 15th/16th centuries.
The Borgia, or the Golden Blood

This historic mini-series is set just after the execution of Louis XVI and follows the actions of a group of loyal royalists, led by the Chevalier de Maison-Rouge. His goal is to free Queen Marie-Antoinette and the young King Louis XVII, but he runs into the brutal jailer Simon who makes sure to thwart any attempt to escape. A secondary plot line deals with the feelings of Lindet, the lieutenant of the national guard, towards Geneviève, the young protege of the royalist Morand, which for the sans-culottes is a crime in itself.
Le Chevalier de Maison Rouge

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.



