Acting
Oct 20, 1931
Saint-Cloud, Seine-et-Oise [now Hauts-de-Seine], France
Nicole Courcel
Acting
Biography
Nicole Marie Jeanne Andrieu (21 October 1931 – 25 June 2016), better known as Nicole Courcel, was a French actress who achieved popularity through the 1950s and 1960s, though she is mostly unknown outside of France. Born in Saint-Cloud, in the western suburbs of Paris, she appeared in 43 films between 1947 and 1979. After working as an extra in a few films, she won a major role in Rendez-vous de juillet (1949), with Brigitte Auber. In 1970 she turned to television, appearing in different television films and miniseries, in which she continued to work until 2004. Courcel is best known for her role in Serge Bourguignon's Sundays and Cybele (1962). She had notable parts in: La Marie du port (1950, opposite Jean Gabin), Sacha Guitry's Royal Affairs in Versailles (1954), and La Sorcière (1956, opposite Marina Vlady). Source: Article "Nicole Courcel" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Feature Films (50)
When they realize the times are changing, five crooks decide to switch from bank robberies to personality abductions.
Money Money Money
An 18th century poet travels through time in search of divine wisdom. In a mysterious wasteland, he has a series of enigmatic encounters with symbolic phantoms with whom he muses about the nature of art and his own career. Ultimately, the poet strives to achieve his rebirth as a celestial being.
Testament of Orpheus
The tragic story of a young orphan girl who is befriended by an innocent but emotionally disabled veteran of the French Indochina War.
Sundays and Cybele
Henri Chatelard is well into his forties, owns a restaurant and a cinema in the city, and appreciates women. When he meets Marie, an 18-ish strong-head who just lost her father in a small fishing village, it is not clear who is the hunter and who is the prey.
Marie of the Port
The residents of the apartment building on Rue Montmartre are a motley crew of oddballs and eccentrics. The daring son of a professor couple is in love with a sexy student who supplements her pocket money by working as an au pair. And then there's Monsieur Calomel, the crazy but helpful neighbor who's always ready with a funny face...
Papa, Mama, the Maid and I
A Parisian teacher loses his cool when his teenage daughter tells him she plans to drop out of school and move in with her boyfriend.
The Slap
Gérard Favier is a famous composer who is deeply in love with his wife Sylvia. The couple meet Monelle, a pretty, talented young pianist and ardent admirer of Gérard Favier. The musician takes the young woman under his wing and launches her to success. But a tabloid reveals an affair between the composer and his protégée.
Monelle
Director Jean Delannoy's immediate followup to his brilliant Les Jeux sont Faits was the more conventional Aux Yeux du Souvenir (aka Souvenir and To the Eyes of Memory). The film is based on a true story, wherein an France airliner managed to survive a journey from Rio De Janeiro to Dakar with two of its engines incapacitated. To this already intensely dramatic situation has been added a romantic subplot involving Claire Magny (Michele Morgan) and Jacques Forester (Jean Marais). The love story adds very little to the film; fortunately, neither does it detract from the film's overall quality. As was the case with many French productions of the 1940s, Aux Yeux du Souvenir benefits immeasurably from the Wagnerian musical score by Georges Auric.
In the Eyes of Memory
A Paris-based doctor tries to spread the gospel of Natural Childbirth. Working in a cloistered rural community, Gabin runs up against the stone walls of fear and prejudice. His theories are proven sound when unwed mother Nicole Courcel gives birth within Gabin's methodology. The childbirth sequence is filmed straight-on with a delicate combination of taste and frankness. Nonetheless, the lurid ad campaign of Cas Du Dr. Laurent sensationalized this sequence all out of proportion.
The Case of Dr. Laurent
Brulard, a French civil engineer on assignment in a remote Swedish village, meets Ina, who has been raised in forested isolation by her haggish mother and believes herself to be a witch. He falls in love with her and tries to convert her to civilization; but in the meantime, his female boss, Kristina, has fallen in love with him, while the villagers turn against him for consorting with someone they believe is cursed by the Devil.
The Blonde Witch
Hopes and love and ambitions and friendship in a group of young jazz-loving Parisians.
Rendezvous in July
The scene is a tawdry hotel room in Limbo, where several damned souls are gathered. At first, the group fails to comprehend where they are or why they're there. When the horrible truth dawns upon them, they carp and snipe at one another, blaming everyone but themselves for their dismal fate.
No Exit
Television & Series (7)
Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.
Le Grand Échiquier
Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.
