Claudio Obregón

While Mexico swims in the oil veins that were deeded to him by the Devil, a bureaucrat is thrown into a whirlwind of intrigue and international espionage where he discovers that the guts of the beast in charge are one and the same, and the evacuation conduit itself. : We are the shit of that monster. At the same time, a man and a woman discover that behind their passion there is a dark reality that drives them to disguise as action what is only hunger, suffering, desire.

A sewing factory owner of Lebanese descent rapes a female worker, kills his homosexual partner to frame him for embezzlement, and murders a woman he falls in love with because she is Mexican and he does not want to mix their bloodlines. A detective follows his trail and, just as he has enough evidence to prove his guilt, the 1985 earthquake strikes and he dies.

Heated tempers, frustrated desires and dashed hopes plague a diverse group of individuals whose lives cross paths in Mexico City. There is the bar-owner's son, Chava, who yearns to emigrate to America. A poor barber, Abel, is madly in love with the gorgeous Alma, who eventually becomes a high-class prostitute. Finally, there is Susanita, the desperate spinster who pursues many love affairs in hopes of finding a husband.

This is the story of a man, Emiliano Zapata, and of a revolution, the Mexican Revolution.

No overview available.

The third film version of the popular Mexican novel, about a wayfarer who travels to a mysterious arid village, to meet the father who long ago abandoned his wife.

A dramatization of John Reed's newspaper accounts of the Mexican Revolution. Considered the first real film in Mexican cinema to be made on the Mexican Revolution.

A psycho with a hair fetish is caught in the act of disposing of a body and the lonely housewife that witnesses it must fight for her life.

Recounts the union struggle of taxi drivers supported by the Communist Party.

This short film explores the life of Mexican painter and writer Alberto Gironella.

This short film focuses on Mexican artist José Luis Cuevas, who through his work challenged the conventions of Mexican muralism.

Two stories: 'Tajimara' the platonic love of a couple; and 'Un Alma Pura' (A Pure Soul) about the incestuous love of some siblings.

Yaaranday is a Mexican telenovela by TV Azteca. It premiered in 1998. The protagonists are Aylin Mujica and Jorge Luis Pila.

Police chief Fernándo Gomez Miranda kills his friend, the well-respected lawyer and likely candidate for Attorney General, Raúl de Los Reyes and his youngest daughter of only thirteen in a vehicle ambush. Gomez' son, Luis Mario – a sad-eyed broadcast journalist of passionate conviction – arrives on the scene soon after with his camera and discovers a wounded survivor in the car; Camila, the eldest daughter of de Los Reyes. Luis rushes her to the hospital, saving her life and thereby creating a bond between them that he cannot escape. Luis' half-brother, police detective Alfonso Carbajal, is assigned to the case. An old schoolmate of Camila's, Alfonso has long been in love with her and conflicts arise when all evidence points to Camila being involved in the drug trade. The two brothers find themselves caught between their professional duty that would require them to expose Camila and their desire to protect her.

Valeria y Maximiliano is a Mexican telenovela produced by Carlos Sotomayor for Televisa and originally broadcast on Canal de las Estrellas from December 23, 1991, to May 1, 1992. Created by Nora Alemán, the telenovela stars Leticia Calderón and Juan Ferrara. The story follows Valeria Landero, a beautiful, wealthy, and strong-willed young woman whose pride and impulsive nature bring conflict to her family. After rejecting the obsessive Román de la Fuente, she becomes the target of his revenge, which threatens to destroy everything she loves. Throughout her struggles, Maximiliano Riva remains by her side, and together they must overcome betrayal, ambition, and family intrigue before finding true love.