Jens Arentzen

This puppet film is a visually rich interpretation of the national hero Holger Danske. The story begins with Holger's birth and baptism in pagan Denmark around the year 800. The little boy is kidnapped by the Franks, who, led by Charlemagne, are trying to unite the many peoples of Europe into one empire, under one faith. The film follows the open and charming Holger's encounter with war and love, foreign cultures and beliefs, thereby touching on some universal and eternally valid themes.

Count Axel is a comedy that takes place somewhere in the Nordic countries in 1783. It's a classic comedy about mixed identities, with strong elements of contemporary humour and satire.

The story of August who loses his beloved sister Christina, a former porn star known as The Princess. He adopts Christina's five-year-old daughter Mia. Weighed down by grief and guilt, August breaks down and with Mia in tow, he embarks on a mission of vengeance to erase Christina's pornographic legacy.

The life and times of the Scandinavian artists' colony who lived in Skagen on the Danish coast during the 1890s. Not so much a biographical account, rather a portrait of a way of life. The painters became famous for the way they used the light in their work, and this has also been mirrored in the cinematography.

In the wake of a divorce, Thelma now lives alone with her teenage daughter Irene. Somewhat overwhelmed by the situation (and initially often hiding in bed), the two women embark on new experiences. The contours of new identities and a firmer footing as individuals gradually emerge.

An uptight young man and his equally uptight family moves next door to a hedonistic clan, including the beautiful, sexy Topsy, who charms the new neighbor boy Tom. But Tom discovers that the price of loving Topsy may be higher than he's willing to pay -- she insists on absolute honesty and a life and love without possession or exclusivity.

Benny and Arnold are homeless and along with others living on Nørrebro in Copenhagen. The police is set to clear the building they squat in, but on the night of the forced eviction, local acid head Spacy jumps from the sixth floor.

Based on a true story the film tells the story of Svend who fights to save his elderly parents' marriage even though it has made his life almost unbearable. When he meets Lizzie he discovers how big a part of his family's hatred and jealousy he himself is. The only thing left is the ultimate break off, or the ultimate forgiveness.

A youth film set in the summer of 1945, when the war in Europe has finally ended. For 17-year-old Herbert and his schoolmate Allan, their regular hangout is the Munich Inn, where Leo Mathisen's orchestra plays. The orchestra's drummer, Spjæt, is Herbert's idol, while Allan is more interested in the cloakroom attendant Anita than in the music. Herbert lives alone with his mother, who is a pianist. He has a job as a delivery boy at a grocery store, but supplements his income by trading on the black market. The black market goods, which can be sold at the München Kroen, are obtained in exchange for things Herbert has stolen from his mother or the grocer. Eventually, he even sells his mother's grand piano. A black American officer, whom he has befriended, intervenes when the business starts to go too far.

Donna wants to live the perfect Free Woman life. At the same time she needs the daily comfort of a close relationship to her girl-friend Britt. Britt is romantically inclined in an old-fashioned way and would rather opt for life with a wrong man than with no man at all.

Metaphysical comedy and love film about two young angels, who are tasked by the archangel Gabriel to find a stupid pig down on Earth and turn him into a good person.

A film documenting the life and death of Eik Skaløe as a poet and singer for the danish band Steppeulvene. A symbol for the Danish hippie-movement.

No overview available.

No overview available.

Policeman Karl Jørgensen was once a prominent detective, but due to a violent temper he's now checking out passports at the airport, smuggling stout to work in his thermos every day. However, Kaj, the boyfriend of his daughter, is suddenly killed by a heroin overdose injected by hooded gangsters. It turns out he was spying on their organisation for his brother, Frank, who was framed by them while smuggling narcotics. When Frank hears about Kaj's death, he escapes from prison to get back at the killers. Meanwhile, the same gangsters threaten Karl Jørgensen's daughter, and soon Karl is involved in a major drug smuggling case. Frank and his buddy rob a bank and shoot a police officer. A country-wide manhunt ensues while Karl is having trouble with controlling his daughter's vigilante activities, with finding out who killed Kaj, with the police detectives on the case and with his own alcoholic and lacking existence.

No overview available.

Matador is a Danish TV series produced and shown between 1978 and 1982. It is set in the fictional Danish town of Korsbæk between 1929 and 1947. It follows the lives of a range of characters from across the social spectrum, focusing specifically on the rivalry between the families of two businessmen: The banker Hans Christian Varnæs, an established local worthy, and social climber Mads Skjern, who arrives in town as the series opens. The name Matador was taken from the localised edition of the boardgame Monopoly, also the series' tentative English title. In addition, in contemporary Danish a "matador" is often used to describe a business tycoon, in the series referring to the character of Mads Skjern and his craftiness as a self-made entrepreneur. Directed by famed Danish film maker Erik Balling, Matador was the idea of author Lise Nørgaard who wrote the bulk of the episodes alongside Karen Smith, Jens Louis Petersen and Paul Hammerich. The series is one of the most well-known and popular examples of Danish television and represents the peak of longtime development of Danish TV drama by the public service channel Danmarks Radio. The series has become part of the modern self-understanding of Danes, partly because of its successful mix of melodrama and a distinct warm Danish humour in the depiction of characters, which were portrayed by a wide range of the most popular Danish actors at the time; but also not least because of its accurate portrayal of a turbulent Denmark from around the start of the Great Depression and through Nazi Germany's occupation of Denmark in World War II.