Matthi Faust

24 hours of life in Berlin. Nine young people at major turning points of their lives.

“If the ghosts can visit our time, we can visit theirs”. This freewheeling tour of German history of the 20th and 21st centuries follows a postmodern artist back to her East German village birthplace – where a discovered skeleton opens up mysteries both personal and political.

A huge, run-down apartment in Berlin Mitte. Two women and a man, rehearsals for a movie about love and sex, that will never be shot. Acting and reality mingle into a dangerous mélange.

Marie is caught in a life she has never wanted - out of a sense of duty she has taken over her parent's farm. On her mothers birthday party her sister Anne, who run away with Marie's boyfriend three years ago, makes a surprise visit. While Anne is begging for forgiveness Marie punishes her by maintaining silent. A power struggle between the sisters begins...

Amelie Klein and Pia Schieder wake up in a rooftop swimming pool full of champagne bottles. With smeared makeup, a terrible hangover, and no memory at all. A complete blackout! That would be embarrassing for anyone, but it's especially bad for the two lawyers. Because at some point during the wild night before, they lost track of a client's file, which they shouldn't have had in the first place. Something like that. The vicious star lawyer Pia and her downtrodden assistant Amelie desperately try to reconstruct the events. In the process, the law-abiding ladies learn a lot about their love lives and the moral depths of their profession...

She wants an IUD and a baby: a mix-up at the gynecologist's appointment is the beginning of a nightmare come true for Lola, a young woman in her late forties: she is the frontwoman of a Berlin rock band and has not the slightest interest in a serious relationship, let alone a baby. But then, at Dr. Mertens' gynaecological practice, the fertilized egg of her daughter Marie, with whom she has had no contact for years, is accidentally implanted.

Because of his cancer, Pavel has to intensify his chemotherapy. One of its side effects is the loss of fertility. The exhausting therapy is to start in five days. Pavel (32) and Jasmin (26) only recently have started a relationship.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Der Kriminalist is a German television series produced by Monaco Film Hamburg, subsidiary of Odeon Film. Directors during the first season were Sherry Hormann and Torsten C. Fischer, during the second: Thomas Jahn, Jobst Oetzmann and Torsten C. Fischer.

A medic lives with his small and strange family between the mountains and every episode he comes across a situation with not only his patients but also his family and friends.

No overview available.

A police department, lead by an older, experienced detective solve crimes together.

The unlikely police pair Verena Berthold and Otto Garber are part of a special task force investigating organized crime in Berlin. He comes from the east, she from the west of Berlin. He's a redneck, she's from a better background. This causes conflict. Over time, things start to sizzle between the two. Their team includes the agile German-Turkish Yücsel and the sluggish Georg, who, like Verena and Otto, are constantly bickering. The department manager is Lothar Reddemann. Sputnik is a former colleague of Otto's from the People's Police and is constantly coming up with new business ideas for stores and pubs where the team meets.