Amine Ennaji

In a war-ridden country, a woman watches over her husband, comatose from a bullet in the neck and abandoned by Jihad companions and brothers. One day, the woman decides to say things to him she could never have done before.

On the order of their spiritual leader, three young Islamists kidnap a group of actors who are about to go on tour with their latest show.

Abdellah is a young gay man navigating the sexual, racial and political climate of Morocco. Growing up in a large family in a working-class neighborhood, Abdellah is caught between a distant father, an authoritarian mother, an older brother whom he adores and a handful of predatory older men, in a society that denies his homosexuality.

Lucie is desperate: ever since she met Ben, the damn good-looking adventurer, no stone has been left unturned in her life. Not only did she immediately fall in love with the guy, but now she's fighting for her life in the hot desert sun: Because the little adventure she dreamed of is becoming a brutal reality. When their jeep gets stuck in quicksand, they have to continue on foot. But the scorching sun is merciless and their water supply is finite. The supposedly saving road seems close enough to touch, but then a huge canyon opens up in front of them ... In the meantime, Lucie's fiancé David, who as usual has no time to look after Lucie because of all his appointments, has organized a jeep to look for his girlfriend. He sets off into the desert with two locals - and there a fight to the death breaks out...

The residents of a small Moroccan city endure separate lives while knowing the same cycles of burden and small joys. Wives and husbands, mothers and fathers, sons and daughters maneuver their way through mourning as death takes loved ones and life insists on moving forward. Here, letting go is a challenge for both the dead and the living. The people of this city share the same world, but don't always know when they live in each other's lives, helping and harming each other. Connected by friendship, proximity, and blood, they both destroy and support each other. Through weddings, funerals, murders, forgiveness, love, new birth, and sacrifice, the living build community and hope. Meanwhile, the souls of the dead linger to watch over loved ones.

Hayat is released after serving a long prison sentence. She returns to her hometown in northern Morocco, where she finds herself faced with a brother who refuses to welcome her for fear of shame. Hayat merely wishes to see her son so she can explain the truth to him. She meets Amal, who works in a fruit factory and takes care of Houda, her sister who is two years her junior and suffers from a severe disability. The courage and strength of these three women drives them forward in the face of exclusion, exploitation and marginalization.

No overview available.

Zodi, a 12 years old nomad, find an orphan baby dromedary in the desert. He takes in the animal, feeds it, calls it Téhu and becomes its best friend.

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Morocco, from the past to the present. Five people who are connected to each other – Abdallah, Salima, Joe, Hakim, and Inès – without realizing it. Different faces, different struggles, but one same breath. One city, Casablanca as a fragment of reality, as the myth of a film entirely shot in Hollywood studios, which reality has come back to claim.

A both empathic and poetic drama set in the Moroccan countryside. Family, poverty, work and pride are the most important motivations of M’Barek, a poor farmer who fights to pay off his debts so that he can keep his land.

The movie tells the story of a poor teenager, mired in suffering and oppression, who would make up his mind to take revenge from an oppressing society wherein immorality and intolerance prevail.

No overview available.

The series is based on the French novel The Land by Emile Zola. Its episodes revolve around the human relationship with the land, as the wealthy farmer, Mr. Ahmed, decided to give away his lands to his three children, but one of them, called Al-Mahidi, refused to leave his family home. He married his cousin, the Sabura, who inherited a great inheritance, but that did not prevent him from pursuing his cousin for another Tayi cirka pour Cel.

Amina tries to provide for her family, just as an old acquaintance returns after serving a prison sentence to reopen old wounds.

Fatima grew up under her strong father, Thami, which made her devoid of feminine qualities and distinguished herself by her strength and determination in overcoming life's difficulties. After she began working with her father in the scrap market known for being controlled by men, Fatima entered into serious problems and conflicts to prove herself and protect the family legacy.

Young Hind faces many embarrassing situations becouse of her mother Halima work, who works as a Folk music singer. And Hind is shocked when the man he dreamed of marrying broke up with her when he learns about her mother's work. Her suffering will increase after Omar El Maataoui, a businessman in his fifties, expressed his love for her and challenged his family to marry her.