Acting
Dec 19, 1924
Lisbon, Portugal
Glicínia Quartin
Acting
Biography
No biography has been added for this individual yet.
Feature Films (19)
João Barbela is poor man who lives out of charity - what coins the people of Lisbon's popular districts give him as 'pay' for his puppeteering work. For the kids, he is like a king, Dom Roberto = puppet). When he meets Maria, an equally poor girl, he fancies to change her life, and get her a house, maybe marrying, and being happy together.Life does not exactly have a happy ending, like he managed with his puppets 5-minute plays...
Dom Roberto
Joana lives in a small and remote village where people are very primitive and religious. When accidents start happening that involves her, people slowly start believing that she is possessed by the devil.
The Crime of Aldeia Velha
A blind beggar is robbed of his chest of money. The theft leads to a dramatic situation in the street where he begs every day.
Blind Man's Bluff
The film presents us with a reflection on the Spanish Civil War in the Portuguese society, At a time when Salazar ruled.
Sinais de Fogo
Summer of 1964. The professor Carlos and the couple Dário and Alda spend time together in the beach during vacations. Away from the colonial war, everything seems lost in time.
Agosto
One night Jorge will meet with a Japanese industrialist, who will allow him to abandon his teaching position and resume his chemical work. However, when he gets home he finds a person there.
Poor George
It’s been a year since we were together. A year since you left me, or I left you. What does it matter? And suddenly here you are in front of me, smiling, radiant, pregnant. And there’s me, who thought he was cured of you.
How Do I Love Thee
A woman gets into a fight with her boyfriend, concerning her lack of humanism. Leaving him abruptly at the Santa Apolónia Station, she strikes a conversation with an interesting homeless man whom she decides to take home to just to show her boyfriend that she cares.
A Man is not a Cat
An adaptation of two short stories by Passos Coelho, essentially shot in a valley that is a territory threatened by floods, the film is a cinematographic chronicle of the rural worker in the area of Montemor-o-Velho.
Histórias Selvagens
Director Jorge Silva Melo has developed a viable, though highly intellectual mystery story about the world of art and culture and murder in this somewhat theatrical presentation. When German artist Bernd Hoffmann (Michael König) arrives in Lisbon to oversee the installation of his paintings in a joint exhibition with another Berlin artist, Hanna Brauer (Charlotte Schwab), Hanna never shows up. Hoffmann is puzzled because he is certain he saw a video sequence with Hanna at the exhibition, and he begins to look for her. Another Lisbon cultural center, a theater, is also having problems that may or may not be related -- and the mystery deepens when Hanna is found dead, either by her own hand, or murdered.
