Juris Bartkevičs

A nightmarish evening unfolds for neighbors David and Robert when they accidentally hit a woman on her bike and flee the scene. While David is increasingly plagued by feelings of guilt, Robert shows no remorse and becomes overbearing and possessive.

After successfully operating on a forester’s son, a doctor is invited to the family’s forest home for a promised hunting trip. When the boar intended for the hunt must be handed over to visiting forestry officials, the embarrassed forester suggests shooting wild geese instead. But the birds are more than game to his young son Ivo—they are his beloved companions, and the majestic gander he calls the king of the flock is among them.

Based on true events that took place in the vicinity of Līvāni in 1945 after Soviet re-occupation. Catholic priest Antons Juhņevičs, serving in the Vanagi parish, hid local men on church premises so they could escape conscription into the Red Army. Finding himself in conflict with the ruling power due to his convictions, he was forced to take a radical step.

Guttenmorgen leaves the government office to see how people live in the countryside, and on the way he gets stuck in Vienciem.

Riga in the 30s. Wild bohemian lifestyle is the name of the game for every artist worth his salt. A young man from the countryside, poor but ambitious, arrives in the capital, where he hopes to make his mark in the artistic circles. What follows is a string of events, fraught with confusion and misunderstanding, hilarious and heart-warming at the same time.

A Greek couple, Anna (Katia Goulioni) and Petros (Andreas Konstantinou), have recently moved to a small industrial town in Siberia. It’s a long process to adapt, especially for Anna, since Petros is quite occupied with his job. That will cause a conflict between them and inevitably the couple is distanced. Everything is escalated as for the past period there is no sexual intercourse between them. This slow-paced decay is intensified when an unexpected event occurs, changing everything between them. Balancing between trust and disbelief the haunting suspense evolves.

Beatrise is drifting in life. She has based her existence on unsuccessful relationships that have collapsed, like sand castles, one after the other. Forced to re-evaluate things, she realizes that she can only achieve harmony by learning to rely on herself, and not on illusory feelings or words.

Twelve uncomfortable, deeply personal and painful stories by women who have had an abortion are read, told and 'experienced' by six male actors. Does that make a difference? Will the society listen now?

In the near future of 2012, the government asks for each citizen to have 30 Lats on their credit card. Anybody not having this amount of money is deemed to be maliciously poor and arrested.

Four Latvian legionnaires are sentenced to death for deserting the German army. A Latvian girl heads to the German headquarters to try to free her beloved. In the few hours remaining before the execution a love triangle plays out between the girl, a German officer and the prisoner.

The characters of the movie are closely twisted. Each of the heroes is a slave to their own passions. Only through strong will and some happy event they will be able to free themselves from their addictions.

A homage to Krišjānis Barons and his life's work – to collect and catalogue Latvian folksongs or dainas,thus creating the encyclopaedia of Latvian life, a poetic reflection of the knowledge of life accumulated over the centuries. The film is based on Krišjānis Barons' life during late 1800s and early 1900s – his childhood and youth in Latvia, studies and work in St. Petersburg and other places in Russia, his relationship with his faithful wife Dārta, and the awakening of the Latvian self-awareness.

In the late 1970s – at a time when the fiercest propaganda against Western culture was being waged throughout the USSR – an ardent rock and roll fan sets up a successful and illegal underground jeans factory in a Latvian psychiatric hospital.

A story about Emīlija Benjamiņa, the “queen of the press” in interwar Latvia, whose wealth and tragic fate have since become folklore. The film’s narrative covers the period from the beginnings of Emīlija’s magazine Atpūta (Recreation), to her arrest and slow demise in a train en route to Siberia. The most prominent clairvoyant of the time - Eugene Fink’s prophecy that Emīlija would die from starvation in a foreign land (which served to be true) weaves through the narrative as a red thread. With this strong woman at the centre of the story, the film shows Latvian society in all its richness and gives the audience the opportunity to meet many well-known historical figures.

Ketija is a troubled orphan who wants to escape her everyday life and fulfill her dream of becoming an architect. At a party, seeing an opportunity, she tries to steal money to start a new life. Her attempt is noticed and a chase begins, which ends in an accident, and Ketija ends up in the hospital. There she is approached by one of the richest families in Latvia, who recognize her as their daughter who disappeared eight years ago.

Marta will meet a charming and rich man, but love will blind her eyes and Marta will not notice the true intentions of her new sweetheart behind her rose-colored glasses.