James Ellis

When a priest commits suicide and two trainees are expelled from a seminary, a journalist starts to investigate the Vatican’s silence on broken vows of celibacy. A thriller examining the internal conflicts in the modern Catholic church.

A woman returns to Belfast after ten years in England and becomes involved in the Maze prison protest.

Charlie Colquhoun is a burnt out journalist. His old school friend Harris Hill is a lawyer at the top of his game. Their lives are smashed together by one name - Tommy Stirling, Charlie's daughter, a fostered teenage pregnancy who has become embroiled in an alleged child pornography scandal with a top ranking police officer. As the trail to Tommy begins to heat up, so the bodies begin to mount up. Allegiances fall by the wayside as Charlie's life begins to spiral out of control and the deadly world of drugs, blackmail and murder that lies in the deepest heart of the underworld threatens to consume him and his missing daughter forever.

Cathy and Noel are a Catholic and a protestant soldier. They fall in love, to their cost.

The deeply held religious convictions of an idealistic young priest are challenged when he must face extraordinary events within his own congregation.

The efforts of three children, who live in high rise flats, to save a donkey from two small-time crooks who want to sell it as horsemeat, by providing a temporary stable for the donkey in the block of high-rise flats.

Belfast, 1980: July, the marching season ... Norman Martin, away for two years, returns with his 'English woman', Mavis. How will the family - particularly Billy - react? And has she achieved the impossible in mellowing the man? Third in the trilogy.

Belfast 1978: the Martin family, a year on. Norman is away in England, and his eldest son, Billy, and daughter, Lorna, are in charge of their younger sisters, Ann and Maureen. Second in the trilogy.

A desperate gambler in debt with a gangster robs a Chinese tattoo artist, getting stabbed and killing the man in the process. A black spot appears on his chest and begins to spread and turn into a condemning tattoo

Pulling no punches in its depiction of soccer legend George Best's slow descent from the heights of his Manchester United career, the man once dubbed the fifth Beatle for his glamorous lifestyle and good looks.

Knights from a parallel universe arrive on Earth to find the legendary sword Excalibur. Only the Doctor and Ace, with the assistance of Brigadier Lethbridge-Stewart, can save the Earth from total catastrophe.

It's New Year's Eve in Thatcher's de-industrialising Britain. The scene is set at a seedy bar in Liverpool where a group of Irish Protestant and Irish Catholic pensioners will gather to clash and bash the new year in.

The adventures of The Doctor, a time-traveling humanoid alien known as a Time Lord. He explores the universe in his TARDIS, a sentient time-traveling spaceship. Its exterior appears as a blue British police box, which was a common sight in Britain in 1963 when the series first aired. Along with a succession of companions, The Doctor faces a variety of foes while working to save civilizations, help ordinary people, and right many wrongs.

The daily lives of the men and women at Sun Hill Police Station as they fight crime on the streets of London. From bomb threats to armed robbery and drug raids to the routine demands of policing this ground-breaking series focuses as much on crime as it does on the personal lives of its characters.

Set during the 1960s in the fictional North Yorkshire village of Aidensfield, this enduringly popular series interweaves crime and medical storylines.

The Scales of Justice is a series of thirteen British cinema featurettes produced from 1962 to 1967 for Anglo-Amalgamated at Merton Park Studios in London. The first nine were made in black and white, and the last four in colour. The finale, Payment in Kind, was Merton Park's final production. Episodes were based on criminal cases, and each film was introduced by criminologist Edgar Lustgarten. The series derives its title from the symbolic scales held by the statue of Justice, situated above the dome of London's Central Criminal Court, The Old Bailey. The opening narration describes her as having "in her right hand, the Sword of Power and Retribution, and in her left – The Scales of Justice".