Georges Poujouly

A self-assured businessman murders his employer, husband of his mistress, which unintentionally provokes an ill-fated chain of events.

The cruel and abusive headmaster of a boarding school, Michel Delassalle, is murdered by an unlikely duo -- his meek wife and the mistress he brazenly flaunts. The women become increasingly unhinged by a series of odd occurrences after Delassalle's corpse mysteriously disappears.

Near the end of World War II, General Dietrich von Choltitz receives orders to burn down Paris if it becomes clear the Allies are going to invade, or if he's unable to maintain control of the city. After much contemplation, Choltitz ignores orders, enraging the Germans and giving hope to various resistance factions that the city will be liberated. Choltitz, alongside Swedish diplomat Raoul Nordling, helps a leader organise his forces.

Orphaned after a Nazi air raid, Paulette, a young Parisian girl, runs into Michel, an older peasant boy, and the two quickly become close. Together, they try to make sense of the chaotic and crumbling world around them, attempting to cope with death as they create a burial ground for Paulette's deceased pet dog. Eventually, however, Paulette's stay with Michel's family is threatened by the harsh realities of wartime.

Yan, captain of a fishing boat, falls in love with the daughter of his boss, to the great displeasure of Jenny, his jealous mistress.

Ireland, 1922. In the midst of a national uprising, Catherine, a young orphan employed in household chores, goes in search of her brother whom she has heard in a dream calling for help.

In Bourganeuf, an old maid, Charlotte Bourdier, confesses to Marie Chassagne that she has forged a sentimental intrigue by correspondence with the presenter of the Radio Circus, Zappy Max. Marie agrees to meet him when he comes, but she in turn falls in love with him, who confesses his love to her.

An accordionist playing in disreputable halls is mistaken for a gangster by a special envoy from the American crime syndicate in charge of investigating the French milieu. The American will prepare a hold-up with a gang of women specialized in scamming tourists. But the accordionist will make the hold-up fail and all the criminals will end up behind bars.

A man inherits an old house in a very bad condition. With the help of a young mechanic, he begins to renovate this house.

A teenager escapes from a reformatory and is accused of theft.

A distress call from a trawler leads various people to come to the crew's aid.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

L’Agence O is a famous Parisian private detective firm. Its premises are located in the Passage Choiseul. In front, Torrence leads the shop. In fact, the agency's team is complemented by Émilie le Roux, Mademoiselle Berthe and Barbet, who scrutinize clients through a one-way mirror located behind the desk. Getting hold of a man disguised as an old lady, solving the mystery of the Prisoner of Lagny or discovering who is blackmailing the painter Tigrane Alban does not worry the experts at the O Agency. Les Dossiers de l’Agence O is a French-Canadian television series in thirteen episodes of approximately 55 minutes created by Marc Simenon and broadcast first in Quebec from December 14, 1967 to March 13, 1968 on Télévision de Radio-Canada, then in France from March 11 to June 3, 1968 on the first channel of the ORTF.

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