Aminah Cendrakasih

Sinta's father is dying. On his insistence, Sinta has to marry Roni, though she actually prefers Ricky. Initially, Sinta is grateful to have a husband who is willing to sacrifice for her father's hospital treatment. But Roni turns out to be a pimp, and Sinta is used and sold as a call girl aka “gadis telepon”. The situation becomes intolerable, when Roni's secret is revealed, that he has compromised other girls like Sinta. Sinta stabs her husband. Sinta repents her action in prison.

Kadarwati, a young Javanese student in 1940s Singapore, is forced to become a 'comfort woman' by the occupying Japanese military

The film begins with a doctor explaining breast cancer and its detection methods. Then we learn that Kartika must have one of her breasts removed before the cancer spreads. To relieve her grief, she leaves for Switzerland, where she meets Maruli, a newly graduated doctor from Germany who works at a restaurant before going home. A romance occurs that results in marriage, even though his uncle does not agree with it, for the sake of a family tradition. After the marriage, Maruli is disappointed. He feels cheated after learning of Kartika’s breast removal. His mother is furious. He is reminded that his intention to study medicine is to help his mother, who was also left behind by her husband, Maruli's father, after her breast removal. He then returns to his wife, Kartika.

Dewi, who has many love problems with her boyfriends, falls into the arms of Dayan, her boss, who also has a problem after becoming a successful businessman. Being told by his doctor that he has only a few months left to live, he suddenly feels the emptiness at home. His wife, Anneke, has her own occupation. His two children are studying abroad, while the youngest rarely sleeps at home and eventually dies while playing Russian roulette. Dayan and Dewi find a mutual need to release the burden. The situation changes with the appearance of Ferico, an old school friend of Dewi, who continues to pursue her after his divorce. Both Dayan and Dewi finally return to their partners. Director Arifin chooses a “poetic” style of telling the story so that the storyline follows the internal conflicts of the characters. The poetry is also characterized by slick photography.

One of the best Indonesian children’s films, distinguished by not being a fairytale as other films popular at the time, My Harmonica combines humour, mischief and naivety. Sani is an orphan who is raised by his grandmother in the village. His parents died when he was little. His teachers think that he can develop further if he goes to Jakarta to study. Reluctantly, Sani agrees. So in Jakarta, he stays with the younger sibling of his teacher, but he faces problems. The most intriguing part is his wish to have a harmonica, a new instrument that he has never seen before.

Lana and Joko are childhood friends. Joko has moved away from his family and chooses to live on his own, even in poverty. Lana, on the other hand, is tired of living with her rich family. They both fall in love with each other. Joko tries to write songs and succeeds. He becomes a rich man but also very superficial. The thing that drove Lana away from her family has now become a part of her own life.

Anita, finally became a hostess because there was no other job. Her determination is to repay his mother, a sickly widow. At work she then got a customer, Winarto, who turned out to be her biological father. When Winarto's wife, Carla, kisses her husband's gesture, she manages to hire a delinquent young man. Luckily there is Darmawan, who takes her to nightclubs and always defends her. Anita's efforts were not liked by her mother until she died

A snake incarnation girl becomes the object of men's in the bar where she works in.

Lestari stops teaching when she marries Rama who has returned from abroad. Lestari, who is an only child and an orphan, is infertile. One day she meets Shinta, her favorite student who cannot stand living with her stepmother, especially since her father, a drunken truck driver, died in an accident. Lestari invites Shanti to live with her. Then Rama’s parents bring Lestari to Tokyo for treatment as they still wish to have a grandchild. Rama and Shinta are left at home and begin to be intimate. Lestari is furious when she returns but she finally gives them her blessings as she cannot conceive. But due to a misunderstanding, Shinta runs away. Then Rama finds Shinta as a singer in a nightclub. Without Lestari’s knowledge, they consummate their love. Then Rama accuses Shinta of adultery and refuses to acknowledge the baby as theirs.

Lembong, a robber, raises Ken Arok in a dark world after finding him in a cemetery as a baby. Due to his outrageous behaviour, Ken Arok is expelled and has to live with Bango Samparan. Even this does not last long, when the wife of Samparan takes a dislike to him. Then Ken Arok also becomes a fugitive of the Emperor since he often plunders royal tributes. One day, he meets a priest, Loh Gawe, who provides him with skills of leadership. Meanwhile, the Regent of Tumapel, Tunggul Ametung, kidnaps Ken Dedes to make her his wife. Then Ken Arok is recruited as a soldier of Tumapel. Inside the palace, he sees Ken Dedes and immediately falls in love. The bad intention to kill Tunggul Ametung comes to his mind. Since Loh Gawe does not agree with his intention, Ken Arok gets an approval from his adoptive father, Bango Samparan. Shortly after, he orders a keris (a wavy knife) from Empu Gandring, a famous blade smith.

Four girls (Renny Asmara, Tjetty Wulansari, Aty Rochadiaty, Aminah Cenderakasih) live together in a boarding house. They are romantically involved with four different men (Iwan Taruna BA, Rachmat Kartolo, Pong Hardjatmo, Jopic Burnama). There are relationships that are affairs, platonic love, and the story of a secretary who is sleeping with her boss, but ends up marrying the director's employee. The early part of the film is filled with erotic scenes exploiting the girls, and later on, features comical moments.

Sri Lestari and her fiancé, Joni are invited to an empty house. Instead, he is met by a policeman who asks him to the police station for questioning. Joni then calls his future mother in law, Rahayu, who later on, pays a visit. When Joni goes back to the police station, Rahayu had left behind a letter after taking poison. The letter tells her life story, about her husband, Yono, who had many wives and liked to sleep around. This prompted Rahayu to get a divorce and start an affair with her former lover, Jufri. But Yono is angry when he finds out about the affair. He fights with Jufri, but ends up being killed by Jufri. In panic, Jufri runs out of the house and is killed by an oncoming truck. Then Rahayu goes to her aunt’s house claiming that Yono has remarried. Frans, the maid begins to blackmail Rahayu but Rahayu later poisons her. All of this happens when Lestari was five years old.

From Wikipedia, the free encyclopedia Si Doel Anak Sekolahan is an Indonesian soap opera produced, written and directed by Rano Karno who also plays the main character as Doel/Kasdullah. This soap opera has a storyline about the life of Doel and his family, a Betawi family who still maintain traditional values ​​even though they live in the midst of the current modernization of urban Jakarta.[1] In addition to Rano, this soap opera also stars Benyamin Sueb, Maudy Koesnaedi, Cornelia Agatha, Aminah Cendrakasih, Mandra, Suti Karno and Basuki. Consisting of 6 seasons and 139 episodes, the story is a modern version of the novel Si Doel Anak Betawi by Aman Datuk Majoindo and the film of the same name directed by Sjumandjaja in 1972. In the film version, Rano Karno also plays the role of little Doel and Benyamin S. plays Doel's father. It's just that at that time, Doel's father's name was Asman, not Sabeni like the soap opera version.