Ami Priyono

Like the film’s title, Parody of the Capital resembles a sketch of the community. Oom Pasikom, a cab driver, is stingy because of his measly income. Conversely, his wife moves within the high social circle and is a spendthrift due to her business as jewelry broker. Through Oom Pasikom’s glasses, small stories of the city are told - the ladies’ social gathering, lonely wives, the cleaning of the city and how it affects the small businesses, a student who is writing her thesis and so on.

Olga, a high school student, is obsessed with roller skating.

Intertwined stories of Joko, a boxer, and Rum, the daughter of a general.

No overview available.

An ambassador’s family returns to Indonesia, but they are having difficulties in readjusting themselves. Rani longs for her husband to return, while the ambassador is always recalling his glory days. Tony is drunk all the time and dreams of being a terrorist but is too scared as the image of his mother being shot keeps flashing back in his mind. The third child, Yenni, is the sanest of them all but she lives like a nurse in a mental institution. Then Taslim arrives to assist them but he actually only wants to be a hotel staff. At the end, every member of the family wakes up and are finally able to face reality.

Legendary directors Wim Umboh and Sjumandjaja, decided to experiment by producing a script being written at the same time of the shooting. Mama is a complex story with two seemingly unrelated narrative threads. The first story revolves around Sanca and Anani. The second is about Ulli and Pandji, and in between the two stories is a third narrative, about Ulla, a religious prostitute and Ulli’s sister, and Suwaka.

The story of two sisters, one evil, one good. The evil sister will go to any lengths to inherit the family wealth

Set in the era of Dutch colonialism, Landlord Kedawung is devastated by his first wife’s death. But apparently, her death is something that the second wife, Zubaedah, has been waiting for.

Miranti is left a widow after her pilot husband dies in an accident. She forces herself to work independently, despite feeling alienated. She soon learns that her brother-in-law Dimas cares greatly for her. Miranti ultimately realises that his feelings are more than just pity, and the two can unite.

A man is murdered, his wife is kidnapped and their young son is thrown into a ravine. The child grows up with a deformity and is known around the village as Si Bongkok ("The Hunchback"). After receiving martial arts training, he seeks revenge on the man who killed his father.

The sequel of Kejarlah Daku Kau Kutangkap (1986), tells Markum and Marni whose now have a teenage daughter while Ramadan and Ramona have a son. After years of marriage, Markum and Marni, still strive for harmony.

Dadang's family, which has three sons, accepted Bugi to stay at his house. Bugi, Dadang's younger brother, whose parents both died. Bugi's appearance and boyishness have become the subject of ridicule for many people, both at school and in social circles. Even at home, Narsih, Dadang's wife, teases and cynics Bugi. A math and sports teacher, Zein, has another attitude toward Bugi. Zein tries to change Bugi's behavior. But other teachers, Bugi friends, and Bugi themselves misinterpreted. As a result, Zein was uncomfortable and uncomfortable, then tried to stay away from Bugi. As a result, Bugi lost his footing, a place to complain and take cover. Meanwhile, Iwan, one of Dadang's children who has low self-esteem as a result of being a child because of his mother's mistakes, feels attracted to Bugi.

Mahkota Mayangkara