Lorenzo Gioielli

Has been an year since Pietro Zinni's gang got caught in the Sopox production laboratory and each of them locked up in different jails. From Regina Coeli jail, Pietro keep warning the authorities a fool syntetized nerve gas and he is ready to make a killing, but no one takes him seriously.

Italy, early '90s. Calm, clever and inscrutable, politician Giulio Andreotti has been synonymous with power for decades. He has survived everything: electoral battles, terrorist massacres, loss of friends, slanderous accusations; but now certain repentant mobsters implicate him in the crimes of Cosa Nostra.

A group of tenants and visitors are trapped in a 10-story high-rise apartment building infested with demons who proceed to hunt the dwindling humans down.

The soothing pace of the film shows a woman's journey to reinvent herself, as Anna serves 15 years for a murder she committed as a teenager, and although her sentence has expired, the strange looks around her mean that her trial is not yet over. Anna travels far from home to a small town and finds a job, ready to start a new life, but she still struggles with closure, fear, prejudice, and the black holes left by the old days that she must fill herself.

A chambermaid and a former cop meet at a speed dating event and a romance develops. But during a romantic getaway things suddenly take a turn for the worse when her mysterious past is revealed.

Ettore has spent the last five years in jail for a robbery. Once out of prison, he has nowhere to go, his wife broke up with him and doesn’t want him to meet their little daughter who was born right before he was arrested. Alone and desperate, Ettore roams the streets of Rome and meets a strange old man, Nicola. He decides to take advantage of him and rob him. But after breaking into his house, Ettore realizes Nicola doesn’t have anything worth stealing and furthermore, the old man tells him a rather stranger thing: he affirms to be Santa Claus…

Rome, 1990. The night Italy's national football team is eliminated from the World Cup by Argentina on penalty kicks, a well-known film producer is found dead in the Tiber river. The main suspects for the murder are three young aspiring screenwriters, who–promptly taken to the police–start to tell their version of the story.

The film is about two worlds, different and parallel, living together in the same territory: the Gran Sasso of Italy. The contact between the two realities occurs through the characters of Max, a nuclear physics researcher who works tirelessly in the laboratory located in the belly of the mountain, and the shepherd Bajram. In fact, the shepherd walks on the physicist's head but neither of them knows it. Inside the laboratory the most advanced craft of mankind is being developed, above the mountain, on the other hand, there are poor immigrants doing the oldest work in the world. Gran Sasso is, according to the director, the synthetic image of globalization.

The owner of a dilapidated B&B has an idea: in order to dodge bankruptcy, he has to turn his business into a place of worship—a tax-free activity, where he'll host pilgrims in exchange for a generous donation. He joins forces with an unscrupulous accountant and a failed novelist to come up with his new religion.

Summer 2006. The World Cup final is upon us. In a wealthy suburb, Marcello, a handyman who is busy installing a satellite dish on a roof, notices a boy sunbathing in the garden nearby. Something clicks between them and they embark on an aimless journey. Between unexpected events and family reunions, the two protagonists will discover their confused identity.

In Rome it hasn’t rained for three years and the lack of water is overturning rules and habits. Through the city dying of thirst and prohibitions moves a chorus of people, young and old, marginalised and successful, victims and profiteers. Their lives are linked in a single design, while each seeks his or her deliverance.

Giulia De Martino is a pilot. At seventeen she participates in the GT Championship, under the guidance of her father Mario. But one day everything changes and Giulia has to face alone both the track and her own life.

Fabrizio De André: Principe libero is a poignant and atmospheric Italian biopic that delves into the formative years and artistic awakening of one of Italy's most revered and enigmatic singer-songwriters, Fabrizio De André. Rather than attempting a cradle-to-grave biography, the film focuses on the crucial period that forged his unique voice and worldview.

Italy, March 16, 1978. Aldo Moro, president of Christian Democracy, the ruling party, is kidnapped by the extreme left-wing terrorist gang Red Brigades. While the criminals put him on trial and condemn him, the Italian government and Pope Paul VI pull their twisted strings to save his life.

Love, business, anxieties, friendships, feuds, and resentments paint the picture of the main story, that of a group of criminals who for nearly fifteen years, from 1977 to 1992, cherished an illusion: that of conquering Rome. The Lebanese, Freddo, Dandi, Patrizia, and Commissioner Scialoja are some of the characters inspired by the true story of the Magliana gang. As stated by Aldo Grasso, the first season of the series gives more space to the crime scene, that is, the criminal exploits of the Magliana gang, while the second season delves deeper into the "behind the scenes" of the crime: thus, the gang's repositioning after a key plot event, and the effects and questions this has provoked in the protagonists' consciences.

The series, which follows the film, will see old classmates reunite at high school after the Ministry of Education has canceled their state exams. To prevent their degrees and subsequent qualifications from being revoked by the Ministry, they will have to retake the exam and attend school among much younger people. Needless to say, old memories will resurface, as will hidden passions and unresolved issues.