Haruko Sugimura

After her mother runs away from home, Tomoko is raised to be a geisha. One day Tomoko meets her mother in a red-light district in Tokyo and her life deeply gets in trouble.

Once an average and seemingly ordinary Tokyo girl, she suddenly finds herself as a TV star owing to her discovery by a casting company, which noticed photographs that her cousin had sent. When another actress falls ill she is given the role instead. Her first film is a success propelling the young actress to popularity, her own fans, money and a house. While everything looks dandy from the outside not all is well within the family however.

No overview available.

Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.

Every day a car accident happens in the city. The involved parties are prey to the settlement agents (jidanya), mediators between the parts and the insurance companies to avoid time-consuming legal actions that could come when no settlement is reached (while cheating both parties out of some piece of the settlement pay). Genkichi is a well versed old-timer, that sees how his freshly out of collage son struggles to fit into the business, while at the same time facing one of his lowest rivals in a car crash incident.

Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life. When Noriko resists Masa's matchmaking, Shukichi is forced to deceive his daughter and sacrifice his own happiness to do what he believes is right.

A young salaryman and his wife struggle within the confines of their passionless relationship while he embarks on an extramarital affair.

Taking its title from an archaic Japanese word meaning "ghost story," this anthology adapts four folk tales. A penniless samurai marries for money with tragic results. A man stranded in a blizzard is saved by Yuki the Snow Maiden, but his rescue comes at a cost. Blind musician Hoichi is forced to perform for an audience of ghosts. An author relates the story of a samurai who sees another warrior's reflection in his teacup.

The investigative unit of the Metropolitan Police Department organized a special investigative team to uncover a series of frequent gang robberies and car gangs... This is the first film in the Nippon G-Men series, of which four more films were later released.

"Youth After School" takes Tokyo and Kyoto as the stage, and tells the story of a family that develops around the daughter's marriage. The play was broadcast on NHK TV in 1963, but the program recording technology was not mature at that time, and relevant people called it "phantom TV drama (幻のドラマ)". However, this TV series that was originally thought to be lost has been rediscovered after 50 years.

The family of an older man who runs a small sake brewery become concerned with his finances and his health after they discover him visiting an old mistress from his youth.

Two boys beg their parents for a television set, nagging them until all patience is lost. The parents order the boys to be quiet and the boys do exactly that--refusing to utter a word. The boys' silence ultimately puts the whole neighborhood into turmoil.

No overview available.

A former couple, separated for over 20 years, were reunited after being told their son had only 3 months to live. What should they do as parents? As they worried, they soon began to feel the weight of their family ties...

The film explores the joys and sorrows of intergenerational life and the love between a mother and daughter at a lumber wholesale store in Kiba, Tokyo.

An industrialist is diagnosed with terminal cancer. He is abroad in Europe at the time, and a glimpse of a Japanese woman in that setting causes him to imagine her as the personification of his impending fate. As his dialogue with his imagined mortality continues, he meets the living woman, the template for his fantasy, and together, they tour rural churches. Gradually, he comes to some kind of peace about the diagnosis. When he returns to Japan, he is met with a series of challenges that profoundly test the lessons he has learned.