Mark Roberts

A gambler discovers an old flame while in Argentina, but she's married to his new boss.

A tough marshal with political ambitions leads an elite posse to capture a notorious train robber and his gang.

"The Unknown" was the final entry in Columbia’s I Love A Mystery series. A woman hires two detectives to keep her alive long enough to claim her inheritance.

After a rare gem is stolen from an exhibition at a posh hotel, Inspector Farraday recruits former thief Boston Blackie to retrieve the stone. Along with his assistant, 'The Runt', Blackie focuses his investigation on the hotel manager, George Daley, and his sister, Eileen. Through disguises and ruses, Blackie and the Runt trick their way to discovering the perpetrators.

A man listens to his wife and fakes his own death so that she can get her hands on his insurance policy.

Fred J. Johnson scores a hole-in-one but his next drive, using the lucky, initialed golf ball, soars out of bounds and lands near a spot where some counterfeiters are burying a murder victim. Then begins a series of events in which he is hounded and threatened by the killers. The consequences of his not reporting what he saw to the police lead to a climax in which is daughter is held hostage by the crooks.

A criminal psychiatrist investigates the murder of a two-time widower.

A private eye and her sidekick solve the case of a dead client.

A scrupulously honest lawyer discovers that the client he's gotten off was really guilty.

A maid is left a huge inheritance. She moves in her low-class family, upsetting the relatives of the deceased. They plot to get rid of the entire clan of the Munceys.

An American soldier manages to endure his captivity in a Vietnamese POW camp by keeping alive the memories of life in his home town. When he is finally released from the camp, and is discharged from the military, he goes back to his town - but he can find no trace whatsoever of it.

A New York cab driver helps an Irish immigrant with a baby locate her missing husband.

Stu Bailey and Jeff Spencer are the wisecracking, womanizing private-detective heroes of this Warner Brothers drama. They work out of an office located at 77 Sunset Strip in Los Angeles, California, right next door to a snazzy restaurant where Kookie works as a valet. The finger-snapping, slang-talking Kookie occasionally helps Stu and Jeff with their cases, and eventually becomes a full-fledged member of the detective agency. Rex Randolph and J.R. Hale also join the firm, and Suzanne is their leggy secretary.

Cheyenne Bodie was a big man, a former army scout who went west after the American Civil War and drifted from job to job, here a cowboy, there a lawman, and always a larger-than-life hero. CHEYENNE is an American western television series of 108 black-and-white episodes broadcast on ABC from 1955 to 1963. The show was the first hour-long western, and in fact the first hour-long dramatic series of any kind, with continuing characters, to last more than one season. It was also the first series to be made by a major Hollywood film studio which did not derive from its established film properties, and the first of a long chain of Warner Brothers original series produced by William T. Orr.

The F.B.I. is an American television series that was broadcast on ABC from 1965 to 1974. It was sponsored by the Ford Motor Company, and the characters almost always drove Ford vehicles in the series. Alcoa was co-sponsor of Season One only.

That Girl is an American sitcom that ran on ABC from 1966 to 1971. It stars Marlo Thomas as the title character Ann Marie, an aspiring actress, who moves from her hometown of Brewster, New York to try to make it big in New York City. Ann has to take a number of offbeat "temp" jobs to support herself in between her various auditions and bit parts. Ted Bessell played her boyfriend Donald Hollinger, a writer for Newsview Magazine; Lew Parker and Rosemary DeCamp played Lew Marie and Helen Marie, her concerned parents. Bernie Kopell, Ruth Buzzi and Reva Rose played Ann and Donald's friends. That Girl was developed by writers Bill Persky and Sam Denoff, who had served as head writers on The Dick Van Dyke Show earlier in the 1960s.