Richard Wyler

Holly Golightly is an eccentric New York City playgirl determined to marry a Brazilian millionaire. But when young writer Paul Varjak moves into her apartment building, her past threatens to get in their way.

Sumuru, the beautiful leader of the all-female kingdom of Femina, plans to use her women to take over the world.

Four sisters come of age in America in the aftermath of the Civil War.

Freshly arrived Sandhurst-trained Captain Alan King, better versed in Pashtun then any of the veterans and born locally as army brat, survives an attack on his escort to his Northwest Frontier province garrison near the Khyber pass because of Ahmed, a native Afridi deserter from the Muslim fanatic rebel Karram Khan's forces. As soon as his fellow officers learn his mother was a native Muslim which got his parents disowned even by their own families, he falls prey to stubborn prejudiced discrimination, Lieutenant Geoffrey Heath even moves out of their quarters, except from half-Irish Lt. Ben Baird.

The wicked Alain plots an elaborate revenge against his younger brother Edmund, leading to a deadly confrontation in his dungeon deathtrap.

After he accidentally causes the death of his partner, trapeze artist Bill Ryan leaves the circus and sinks into an alcoholic mire of self-pity. Things look up when elegant Jackie Field takes interest in Bill, but she hides a sinister motive. Ignoring Kitty, the shopgirl who adores him, Bill falls for Jackie and joins her gang of thieves, but the daring stunt she has him perform may lead to disaster.

Escaped outlaw Jose Gomez returns to his home town pursued by bounty killer Luke Chilson. The towns people protect Gomez, unaware, at first, that he is now a changed and dangerous man.

A cowboy accused of robbery and murder escapes execution and becomes a notorious outlaw while searching for the real culprits.

A gang of Mexican bandits make trouble for the owner of a gold mine, so he hires on a gunfighter.

Anthony Steffen, as a young gunman who works as a circus performer, witnesses the killing of some outlaws, carried out by their leader and is credited with the deed. Steffen suffers from a complex which blocks him in front of any violence and makes him appear cowardly, so when a young boy is kidnapped he must find a way to regain his composure.

Jungle Jim does battle with a would-be diamond smuggler and a renegade tribe.

Irishman Charles Wogan wields his sword in the cause of James Stuart who seeks to replace George I on the throne of England.

Tales of the 77th Bengal Lancers is a television series broadcast in the United States by NBC during its 1956-57 season. In a period in which much of the programming on U.S. television consisted of Westerns, Tales of the 77th Bengal Lancers could best be described as an "Eastern". It consisted of the adventures of a fictional regiment of the famed real-life cavalry of the British Indian Army. The leading characters were the 77th's officers: the commander, Colonel Standish and two of his lieutenants, William Storm and Michael Rhodes. Rhodes was portrayed as a Canadian, purportedly because the actor portraying him, a native of New Jersey, could not be coached to produce a credible British accent.

Cavalcade of America is an anthology drama series that was sponsored by the DuPont Company, although it occasionally presented a musical, such as an adaptation of Show Boat, and condensed biographies of popular composers. It was initially broadcast on radio from 1935 to 1953, and later on television from 1952 to 1957. Originally on CBS, the series pioneered the use of anthology drama for company audio advertising. Cavalcade of America documented historical events using stories of individual courage, initiative and achievement, often with feel-good dramatizations of the human spirit's triumph against all odds. This was consistent with DuPont's overall conservative philosophy and legacy as an American company dating back to 1802. The company's motto, "Maker of better things for better living through chemistry," was read at the beginning of each program, and the dramas emphasized humanitarian progress, particularly improvements in the lives of women, often through technological innovation.

Simon Templar is The Saint, a handsome, sophisticated, debonair, modern-day Robin Hood who recovers ill-gotten wealth and redistributes it to those in need.