Chafia Boudraa

A young Algerian in Paris has not been as successful as he claims in letters home, and when his mother unexpectedly arrives for a visit of several months, he is hard put to hide his circumstances -- and the fact that he has resorted to small-time criminal activity to support himself. His mother disembarks in her traditional attire, a warm-hearted woman who does not have a clue as to how this foreign society functions but also has absolutely no inhibitions about finding out, if the need arises. As the story progresses, the mother catches on to her son's circumstances though the two are still not able to confront the deception and right it. Even with a low budget, this first-time feature-length story by Bahloul Bahloul combines satire, comedy, and pathos to bring home a relationship between mother and son that transcends life's many obstacles.

After losing their family home in Algeria in the 1920s, three brothers and their mother are scattered across the globe. Messaoud joins the French army fighting in Indochina; Abdelkader becomes a leader of the Algerian independence movement in France and Saïd moves to Paris to make his fortune in the shady clubs and boxing halls of Pigalle.

The story of Algerian women trying to live in 1970s Algeria where the society is between conservative values and progressive modern Algeria.

Moussa, a young Franco-Algerian, returns to Algeria, but adapting to life in his country of origin proves difficult. Just as he is about to leave for France, he is called up for military service, which suits him fine because he is secretly in love with the beautiful Nacira.

Maamar (Sid Ali Kouiret), a young fisherman working in a small port in western Algeria, is forced to sell his goods at a discount every day to Si Khelifa (Abdelhalim Rais), owner of many trucks and a cannery where the wives work fishermen. He has a strange encounter. As he returns from fishing, bassinet in hand, he witnesses a car accident. Indeed, a car hits a tree with a beautiful girl “Hayat” on board who has lost consciousness. Maamar pulls her out of the car and saves her. It is at this precise moment that he realizes the existence of another world. As if awakened from a long sleep, he realizes that this exploitation can no longer continue. He leaves his village and his wife Laâlia (Fatima Belhadj) on a whim for three years. He finds himself in the capital which he leaves to return to his village and carry out a saving action...

In 1957, the Battle of Algiers intensifies. Hassan, a peaceful resident of the Casbah, is mistakenly identified as a dangerous "terrorist leader," earning him the nickname "Hassan Terro." He is arrested, but the French occupation army secretly organizes his escape in the hope of tracking down the leaders of the resistance. In turn, the Algerian liberation army exploits Hassan's naivety to thwart the French military command and disperse its forces.

Two women get on the highway heading to Santa Fe. Marilyn dreams of winning a contest held by a famous belly dancing company, while her friend, Mona, has a darker secret.

Le match France - Algérie vient chambouler le train-train de Brahim et Mouloud. Cet évènement va diviser les deux amis : Brahim revendique son identité algérienne, Mouloud fustige son refus de la France, pays qui les a vu grandir.

An arranged marriage as seen through the eyes of an unhappy young Algerian woman.

Karima, a famous photographer who has been living in Paris for several years, is forced to return to Algiers after receiving a call from her mother informing her that her tyrannical father's health is rapidly declining. This forced return reawakens the scars and ghosts of a repressed past, especially when she learns that her brother has joined an armed group.

1957, the town of Mostaganem, Algeria: the country is still under French occupation, and repression of the National Liberation Front is at its height. The authorities indulge in torture, intimidation and public executions.

After a confinement in a harem, an illiterate Algerian takes her revenge by reinventing herself as a writer. Under the name of Elissa Rhaïs, she becomes the darling of the literary Paris of the inter-war period, in search of oriental fantasies.

In 1939 in eastern Algeria, Omar, a young boy of ten, lives with his family in a room in Dar Sbitar, a house shared by several families who overcome the trials they go through every day to ensure their subsistence. Her deceased father is Aïni, the mother, who bleeds herself from all four veins to keep her children and their grandmother alive. The families of Dar Sbitar share their intimacy and their daily life, this life animates the big house, which itself becomes a character in its own right. "El Harik" (The Fire), is an Algerian drama series in 10 episodes adapted from Mohamed Dib's trilogy "The Big House", "The Fire" and "The Loom".