Toranosuke Kato

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The Fable is a legendary yakuza hitman equal to none—but his boss orders him and his sultry associate to lay low and learn how to live a "normal life" in Osaka.

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a japanese love comedy

Naoko returns home with her young daughter, where her mother Masako runs the only beauty parlor in town. The local women go there to pass the time lamenting their bad luck with men and laughing over dirty jokes. Unbeknownst to them, Naoko has been secretly seeing her former teacher, Kashima.

The annual kabuki show is the main attraction in a rural Japanese mountain town. However, Yoshi's life is thrown into disarray days before the performance when his estranged wife and former best friend arrive back in town...

Kageko, a teacher in a small mountain village with a thriving Japanese paper industry, is visited by a former student, who proposes a plan to manufacture counterfeit money. She initially refuses, but eventually decides to join the project for the sake of the poor children in the village and her own mentally handicapped child.

Mika (Marie Ono), a Japanese-American woman, returns to her native Saitama hometown and becomes a therapist for a "nemuriba" ("a place to sleep").

A man is found dead in a office of Takayanagi Ballet Company. The suspect is a female dancer at the ballet company. The Takayanagi Ballet Company insists that the incident is a self defense case, but after an investigation there's doubts in that claim. Then, the director of the Takayanagi Ballet Company is poisoned to death. Are the cases related?

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

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In Tokyo, 1974, a young African American is found dead in a lift. A knife is stuck deep into his chest and a streak of tear is running down his cheek. A policeman, Munesue starts to investigate the case. On the same day, there is a grand reception party held on the top floor by Kyoko, a popular beautician adored by everyone as an ideal wife and mother. The investigation reveals the victim was raised in a ghetto in NY, was able to speak a little Japanese, and his dying words was “su to u ha.” Startling connection between him and Kyoko is to be revealed…

Asakura Tomoko obtained her MBA at an American university and is a rookie reporter for a Tokyo newspaper’s local news desk. Although she is good at numerical expressions, she has not much interest in understanding the feelings of her interview subjects. Furthermore, she has nothing but a lot of pride, and seems to have been branded an unqualified reporter by her superior because of this. In an attempt to overturn this perception, Tomoko decides to do a story on home nursing care based on her memories of her grandfather. However, she gets overwhelmed by the harsh reality and unexpectedly stumbles across a series of unexplained deaths of elderly people receiving such care.

A TV station news room receives information that a bomb has landed in a Japanese town. The drama follows what happens in the news room in "real-time," showing how the media can edit things to seem different from reality.

Former delinquent turned unconventional prosecutor Kohei Kuryu shakes up the legal world with his street-smart instincts and unorthodox style, clashing with ambitious colleague Maiko Amamiya while his relentless pursuit of justice gradually transforms those around him.

There were men who were passionate about being samurai. The men became samurai warriors at the forefront of the fierce battle that affected the future of Japan as part of the Shinsengumi...

Satoshi Itomura is an assistant police investigator who belongs to the Metropolitan Police Department’s Scientific Investigation Team. Reenactments, fingerprint and voice data collections, profiling... His team collects scientific evidence and pieces together fragments of information in order to help build evidences. However, Itomura often does not care about the scientific approach and instead pays a great deal of attention to the things that the victims always carried with them or treasured. And he focuses on these things because they usually carry the victim’s dying wishes, understanding that last message not only helps solve the cases but also brings closure to the depressed family of victims.