
Acting
Jan 25, 1950
Prague, Czechoslovakia [now Czechia]
Jiří Lábus
Acting
Biography
Jiří Lábus is a Czech stage, film, television and voice over actor. He's a graduate from the Academy of Performing Arts in Prague, and joined theatre Studio Ypsilon after graduation.
Feature Films (194)

The fisherman Fuksa fishes in the creek an old bottle and he sells it to innkeeper Merta. When Merta opens it, a genie appears, who can fulfill all his wishes.
Monkey's Playtime

A funny animated movie based on the classic Czech tales and legend of a young clockmaker, and his jealous friend, a wisecracking Goat.
Goat Story: The Old Prague Legends

Wartime events from a child's perspective were a popular theme during the previous regime - here it is a twelve-year-old village boy who experiences dangerous situations with retreating Nazi troops in picturesque South Bohemia... Any attempt to achieve a more believable depiction is destroyed by the staging's grandeur, and in the end the result is an awkward piece, suitable at most for celebrating the relevant national holidays. A longer copy with a tragic ending is stored in the NFA. Milda is shot unnoticed by an SS major.
Proč nevěřit na zázraky

Vladimír Michálek chose an unconventional adaptation of Franz Kafka's novel for his feature debut. Artistically reminiscent of the classic films of Karel Zeman, the director reinterpreted this dark story of a man vainly seeking a place in a rigidly ordered society by changing the desperate conclusion into a happy end. The film provided Czech comedian Jirí Lábus with a new kind of role: that of the despotic uncle of a main hero Karel Rossman (Martin Dejdar).
Amerika

This documentary-style story tells the story of an aspiring documentary filmmaker who is preparing a film about the history of glassmaking. He is honestly gathering information, slowly getting closer to an unknown and not always accessible environment, to people, whose actions he often doesn't understand because he misses their motivations... Shards for Eva is certainly not a skillfully wrought work, but it certainly impresses with its sense of at least partial capture of everyday reality.
Střepy pro Evu

The popular Moravanka brass band performs at the fair. Vasek Pivoňka, the bandleader of the local brass band Kulatěnky, which broke up, decides to put the band back together. The village musicians are sceptical at first, but later they start rehearsing with vigour. Standa, a Prague resident who is working in a pig farm to cure his nerves, helps them to organise the concert. He really likes Evica Kocourková, but her father keeps an eye on her. Young Šišák tries to charm the teacher Olina. Before the performance can begin, the band must succeed before the cultural committee. However, they fail to do so. The disappointed musicians play for themselves at the station and suddenly they are successful. Standa comes up with an idea how to push Kulatěnka through without the permission of the commission. A concert of Moravanka is being prepared in nearby Nechvalin.
Únos Moravanky

Father Harpagon is a terrible miser, for whom money is the greatest joy, it is closer to him than his own children. His son would like to marry Mariana, a girl from the neighborhood, while his daughter has fallen in love with Valéro, a young man who is Harpagon's steward. But Harpagon has decided to marry Mariana himself and choose rich counterparts for his descendants. So the servant who steals Harpagon's money box must do the young people a favor...
Lakomec
Television & Series (58)

The Inspector Hynek Budik as been assigned chief of police in the area on the outskirts of Prague, With detectives Martin Novacek an inexperienced rookie and the inspector Havlik will seek to solve difficult cases of murder.
The Prague Mysteries

Standa Pekárek has three wishes in life: to drive a volga, to drive for the Humour and Folk Entertainment editorial office and to drive Got'ák. The five-part miniseries Volha is an adaptation of the novel of the same name by Karel Hynia, written in an extraordinary, bizarre and precisely echoed language. It can be perceived as a peculiar history of Czechoslovak television with a number of incredible, albeit real, "stories from the set". At the same time, however, it is a portrait of its main character - a limited egocentric who excels in inventing small tricks and deceptions - how to steal petrol, fake mileage, cheat his wife, get rid of the competition. Logically, he then also becomes a StB collaborator (with the code name Volha) who informs on all his co-workers and passengers without any remorse.












