Julien Schoenaerts

Father Daens returns to Aalst, where workers suffer from poverty, child labor, and exploitation in the textile industry. Driven by his sense of justice, he takes their side, even if it means confronting the church and the upper class. A detailed historical drama about the fight for justice.

A pessimistic urban drama, with a musical score by Jack Sels and Max Damasse, charts in strongly expressionistically lit black-and-white images the wanderings of a tormented man through the cosmopolitan port city of Antwerp. The only people to show him understanding are an orphan and two disillusioned women.

The story takes place in 14th-century Flanders, a region suffering under the oppressive and bloody occupation of the French King, Philip the Fair. Tensions between the arrogant French nobility and the proud Flemish guilds reach a boiling point. Following the bloody uprising known as the Bruges Matins, an armed conflict becomes inevitable.Without their imprisoned leader, Robert of Bethune—the "Lion of Flanders"—craftsmen, peasants, and local nobles unite. This leads to the legendary Battle of the Golden Spurs on July 11, 1302, near Kortrijk, where an untrained Flemish citizen army faces the elite French cavalry.

Ellektra is a story about comfort. The main character Sam finds real comfort and is released from her virtual comfort, drugs. Her true comfort is the sixteen year old girl Ellen, who puts people suffering from severe misfortune into contact with each other through SMS, and gives new meaning to their lives.

The captain of a ship in port has been entrusted with a secret government mission. He gives leave to the crew, but orders them to report back each morning. As the days go by, and the sailing date still remains a secret, the crew are thrown into a state of increasing uncertainty. The film concentrates on two crew members whose experiences are coloured by the omnipresent reality of the ship which is about to depart.

De Mantel der Liefde is a bizarre, over the top and at times hilarious settling of scores with the Catholic Church, commercial movie culture and 1970's petit bourgeois Dutch culture in general.

An actor and poet falls in love with a former mortuary photographer turned waitress. They find themselves caught up way over their heads in a dirty political and financial affair, an art smuggling case that touches them merely for the fact that it may separate them, be it through death or exile.

Essentieel (1964) is a short experimental film made by Belgian abstract painter Jef Verheyen in collaboration with poet Paul De Vree. A cinematic equivalent of Verheyen’s attempts in representing the warmth and vibrations of light in his monochrome or ‘essentialist’ paintings of the late 1950s and 1960s, the film plays on the tensions between abstract color surfaces and natural elements.

Kamiel steals the famous Brussels statue of Manneken Pis to impress his girlfriend Denise, the daughter of the man who is supposed to guard it. The Belgians, however, wrongly accuse the Dutch of having stolen their statue and hit back by stealing the statue of Hansje Brink.

A lighthouse guardian leads a young prince towards an imaginary world, Taxandria, where the boy learns about the power of love and the value of liberty. A totalitarian regime has forbidden time: time watches have been confiscated, photo cameras are illegal as they freeze a point in time. A typical Servais theme: a power is oppressed by a constraint that denies what is best in the individual, and therefore has to be twisted in various ways, to establish an entirely artificial world, that has rules that may question some of the rules of our world at this side of the mirror.

A female writer bases her newest book on the affair she had with her publisher in this Dutch drama. Lin is the glamorous writer who finds herself pulled out of a canal by two riverboat men. Her story is told in flashback. Her recently published book "Wildgroei"(Dutch for "Wild Growth") chronicled her one-sided passion for her publisher Emile who chose Lin's sister Marot instead.

An nobleman question an aged grave warden, whose sickness seems to be due to the ghosts who haunt his workplace.