Mansai Nomura

During a dark time in the Heian period, when evil forces threaten the kingdom, the emperor relies on the onmyōji to keep the supernatural forces in line. But as political events become highly charged, friction within the order leads to betrayal. Now, Seimei, a talented member of the clan, must face down his master, Dōson, in the hopes of restoring peace to the kingdom.

A group of demons in the ancient Japanese capital of Heian is dismembering members of a family of Japanese nobles.

In 1924 Yuri killed 57 people as a spy before going underground as the madam of a small brothel. There, she encounters an orphan whose family was murdered and holds the key to finding a large sum of money reported missing by the Imperial Japanese Army. But with an army of soldiers after them, they must fight to survive.

In the year 1590, the mighty warlord Toyotomi Hideyoshi is close to fulfilling his ambition of unifying all of Japan under his banner when he comes across unexpected resistance in the form of a floating fortress known as Oshi Castle. Narita Nagachika, a frivolous hedonistic fellow and unlikely candidate for the position of rebel general, finds himself in charge of defending the castle. His odds? An army of 500 men to combat Toyotomi Hideyoshi's army of 20,000.

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Kyogen performer Nomura Mansai's speciality, Sanbaso, is said to be the oldest form of Shinto ritual in Japan's performing arts. On the occasion of his 50th birthday, Mansai took up the challenge of fusing tradition and technology with the help of media artist Daito Manabe and others to see how he could delve deeper into this "Sanbaso" and see if a new form of expression was possible. The programme will take up the challenge of fusing tradition and technology. The programme follows the trajectory of the project and explores the roots of what "Sanbaso" is all about.

The programme closely follows the birth of a new 'Macbeth' and his journey around Shakespeare. Kyogen actor Nomura Mansai and Shakespeare, and the similarities between them, are explained in an easy-to-understand way, and we come into contact with the art created by the two talents who have fused together over a long period of time.

Kyogen performers Mansaku Nomura, Mansai and Yuki, three generations of father and son! Kyogen is a human comedy! What is the goal of the father and son Kyogen performers who live in the traditional arts?

Kyogen performer Mansai Nomura is taking on the challenge of various attempts to convey the appeal of Kyogen, a traditional art form with a 600-year history, to the modern age. While carrying the weight of the Nomura family's legacy, which was spun out by his father Mansaku, a living national treasure, and others, he has been lightly expanding his field of activity to appear in films and dramas and stage productions. These various activities are nothing other than the path of Mansai Nomura, a kyogen performer who conveys the appeal of kyogen with its profound expressive power to the present day. Through the figure of Mansai, who is always creating new challenges, this programme introduces the appeal of the "traditional Japanese performing arts" in the "present".

Kyogen actor Nomura Mansai's eldest son, Yuki (3 years old at the time), was chosen to play the role of a child monkey in the kyogen play Utsubo Saru, and together with Mansai's father, Mansaku, the three generations of the family made their first appearance on the stage. The first half of the programme is a documentary following Yuki as he trains for the traditional performance, and his father and grandfather as they strictly instruct him.

A new documentary film on traditional culture, planned and produced by the Pola Foundation for the Promotion of Traditional Culture, has been completed. The 50th film presents the essence of Kyogen, which transcends the generations of Mansaku Nomura, Mansai and Hiroki, spanning three generations of father and son.

Documentary by film director Isshin Inudo on three generations of the Nomura family of the Izumi school of Kyogen: Mansaku Nomura (89), Mansai (54), and Yuki (20). Summer of 2020. Yuki is to play an important role in the future of Kyogen. He will play four roles in "Nasu Yoichi Narrative". His father Mansai and grandfather Mansaku continue to rehearse. Mansai, as artistic director of the theater, is searching for the performing art of the Corona disaster for the sake of his family. Mansaku talks about his current state of mind in light of the hardships he endured during the war. And then, Hiroki's big day arrives. What is in store? This is a new documentary that makes the most of the 8K capabilities to convey the physical presence of each of the three generations and the details of their movements.

Daimon Michiko is a 37-year-old freelance surgeon who is part of a questionable “doctor placement service” that has her wander from hospital to hospital. The harsh environment at the hospitals led many doctors to retire from their positions, forcing hospitals to make use of said program to fill the empty spots at least temporary. However, Michiko doesn’t look like a doctor at all with her flashy clothes and eccentric attitude. In the first episode she raises objections to a certain operation which is planned to be done by the head of a hospital who hasn’t performed an operation for a very long time. This causes Michiko to incur odium at the hospital, however, everyone becomes frozen when Michiko points out the outdated skills of the director. She also holds a scrupulous compliance when it comes to her working hours, never does any unnecessary chores that don’t require a medical license, and couldn’t care less about the power struggles within the hospitals. Nobody knows how she acquired such a top-level skill that allows her to claim exorbitant sums as reward, but her private life is an even greater mystery to everyone around her. Tanaka plays a rookie surgeon, Uchida an anesthetist, Kishibe the head of the placement service, and Ito the head of the surgical department of this institution.

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Sunday night TV documentary program that heightens the spirits bringing a positive message to start the upcoming week by showcasing the routine and life of people, both famous and regular, including the bits of joy and struggle that go along into making something special. Scientifics, actors, craftsman and people in all fields share their experience.

The 56th NHK Asadora Renzoku Drama is Agri. Story's settings include Okayama and Tokyo (Ichigaya). This renzoku chronicles the life of a Showa period hairdresser, and is based on a true life story of Moshizuki Agri. Agri has worked for over 70 years as a beautician. She is a successful business woman who survived the war by becoming a farmer. During the war, going to the beauty salon was considered a frivolity, so many such businesses went bankrupt as Japan suffered from the energy spent as all the yen was fueled into the war effort.