Duarte Guimarães

Story of the 1974 coup that overthrew the right-wing Portuguese dictatorship--which continued the fascist policies of long-time dictator Antonio Salazar--and of two young army captains who were involved in it.

Ramiro is a bookstore owner in Lisbon and a poet in perpetual creative block. He lives, somewhat frustrated, somewhat conformed, between his shop and the tavern, accompanied by his dog, his faithful drinking companions and his neighbors: a pregnant teenager and her grandmother recovering from a stroke. He would gladly continue living this quiet and somewhat anachronistic routine if events worthy of a soap opera did not invade his bubble.

The start of Luís Rovisco’s old age isn’t exactly cheerful. Already in his sixties, he’s still roaming the country by himself, carrying out his tasks — increasingly less real — as sales director for the company SegurVale. Sadness, resignation? Not with the songs Luís makes up behind the wheel, and that take over this film from start to finish.

George, a charismatic and adventurous young woman, born from an old, catholic family, falls in love, in her teens, with a female teacher named Sybil. Devastated by her lover's eventual suicide, some years later, George embarks on an exciting and reckless journey to the depths of Pigalle's nightlife, circa 1960. After an encounter with a very wealthy, still attractive, but older woman, Odete, who offers her money and gifts in return for sexual favours, George becomes Gigola, a kind of gigolo for women only.

Six characters cross paths in Paris and Lisbon.

The short life of the Uruguayan poet Delmira Agustini is colourfully portrayed, not as a conventional biopic, but as a visual poem which evokes the turbulent life and complex personality of the literary heroine as she develops her genius for writing.

In 1970, a man is tortured and murdered by the regime's secret police. Now nearly 40 years later, his friend, who had also been tortured, recognizes the man he deems responsible for the murder of his friend. Along with three old friends and the victim's daughter, they kidnap the man and take him to an isolated house. Once there, the concepts of justice and revenge begin to mix dangerously in a private trial with irreversible consequences.

Royal romance and epic tragedy feature in this historical drama about Pedro I of Portugal and his lover, Ines de Castro. Their legendary, doomed love story is explored, as well as the darkness surrounding Pedro's powerful, sadistic father.

The tragic story of the many lives of Father Dinis, his dark origins and his pious works, and the different fates of all those who, trapped in a sinister web of love, hate and crime, cross paths with him through years of adventure.

The telenovela tells the love story of Diana and Alexandre in Rio de Janeiro in 2002, where gastronomy, music, and dance play a prominent role. Defined as a realistic romantic comedy, the plot revolves around Diana's struggle to recover the lands inherited by her family in Portugal, which are illegally occupied by Zenilda Paixão, Alexandre's mother. In love with Alexandre, Diana breaks off her engagement with Nelson. After some misunderstandings and missed encounters, she sees her beloved again, but a tragedy prevents a new meeting: the death of her father, the Portuguese Miguel Maria Coelho. Before dying, the owner of the Flor do Douro bar/restaurant asks his eldest daughter to take care of her mother, Cecília, and her sisters Laiza, Teca, and Madona.

Pedro e Inês is a Portuguese television series first aired on RTP1 in 2005, based on the story of Peter I of Portugal and Inês de Castro.

No overview available.

What side is love on? Vera and Rodrigo are absolutely passionate about each other and get married, having João as the product of their love. But, like any other marriage, their relationship has its ups and downs between intense passion and their differing life views. Vera is a up and coming lawyer and Rodrigo an agronomy engineer. She's an urban woman who doesn’t do well in a rural environment while he loves the country and bulls, not too keen on city life. To make things worse, along comes Eduardo, Vera's boss and a brilliant but vicious lawyer. He hopes to prevent any possibility of reconciliation between Vera and Rodrigo and ensure that Vera keeps full custody of their son João. He wants this because, when he was deployed in Angola as a military, Eduardo swore to Rodrigo’s father João Maria, that he’d have his revenge.