Gyrd Løfquist

A neo-nazi sentenced to community service at a church clashes with the blindly devotional priest.

A drama about a boy who's inspired by Dr. Martin Luther King Jr. and challenges repressive school authority in 1969 Denmark.

The second film in the series about the enterprising Gyldenkål family. Now the family has climbed to the top of the social ladder, but unexpected demands from the tax authorities mean that a forced auction is imminent. So they embark on their biggest scam yet: defrauding Fidusbanken.

Kjeld Petersen plays a merchant who has stolen his clothes when he is out take a dip in the Sound. He stopped by the police, and they find a call to military service in his pocket, after further complications lands him at the barracks, where he came under the loving care of 66 (Dirch compatible) and 65 (Ove Sprogø). So the stage is set for lots of fun and games, in the right old style.

Early morning. A young couple enters their apartment after locking themselves out. The home is completely empty and dark, and there is no sign of the family who had been their neighbors for years. The lights don't work, and when they finally manage to light a match, they see the body of the old girl slumped in an armchair.

"Naalen" is the title character in the film, a ruthless black market kingpin whose wake inevitably follows a series of other crimes. How "Naalen" got his strange nickname will not be revealed here, but it can be hinted that it has a close connection to the precious and rare commodity he deals in his "business": insulin.

Four young men, Henry, Toft, Tam, and Klausen, take the train to Maribo, ending up at the prison gates. All four are serving sentences for drunk driving. They are a little embarrassed, but each has a good explanation for the "accident." They are "almost innocent" and therefore entitled to make the best of their voluntary "vacation."

A suspense tale revolving around the memories of a Danish saboteur as he awaits his execution in a German war-time prison.

Sabotage of a Nazi factory is carried out by the husband of the lover of a resistance leader.

He freed the slaves in 1848. He spoke out against the king and the government. He loved his wives equally. He was colorful, he was autocratic, he was Denmark's last governor-general of the West Indies, his name was Peter von Scholten. The film about him is a magnificent story of greatness, power, and stubbornness on the one hand, and of love, loyalty, and melancholy on the other. It is a colorful gallery of characters that depicts the times, the Dane in a foreign land—and the black man in relief to the white.

Morten Arnfred's warm comedy Lykkevej (Move Me) begins with Sara (Birthe Neumann) being left by her husband of a quarter century. Sara gets a job and moves into a new home on a street populated by eccentrics. Neighbor Robert (Jesper Lohmann) showers in his backyard, has been in mourning since his wife's death, and annoys his neighbors by keeping junk on his front yard. Sara and Robert tentatively strike up a relationship, while a couple on the street, Sus and Bo (Ditte Grbl and Asger Reher), have their own marriage issues to deal with. Move Me was screened at the Gothenburg Film Festival.

Martin, a law student, takes up a job as a nightwatchman at a mortuary to fund his studies. But the mortuary harbours a dark secret, and he has to find the truth before he is implicated in a serial murder case.

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No overview available.

No overview available.

No overview available.

A road movie that tells the story of two very different young women, Charlot and Charlotte, who meet by chance and end up driving together across Denmark from Copenhagen to Skagen. Along the way, they meet a wide range of very different people, from the senile Birksted to the psychopathic mass murderer Poul-Teddy, to a theater troupe and the elderly residents of a nursing home run by a headstrong matron. The naive and provincial Charlotte learns spontaneity from the smart city girl Charlot, while Charlot, in turn, learns from Charlotte to appreciate the experiences close to home.

Matador is a Danish TV series produced and shown between 1978 and 1982. It is set in the fictional Danish town of Korsbæk between 1929 and 1947. It follows the lives of a range of characters from across the social spectrum, focusing specifically on the rivalry between the families of two businessmen: The banker Hans Christian Varnæs, an established local worthy, and social climber Mads Skjern, who arrives in town as the series opens. The name Matador was taken from the localised edition of the boardgame Monopoly, also the series' tentative English title. In addition, in contemporary Danish a "matador" is often used to describe a business tycoon, in the series referring to the character of Mads Skjern and his craftiness as a self-made entrepreneur. Directed by famed Danish film maker Erik Balling, Matador was the idea of author Lise Nørgaard who wrote the bulk of the episodes alongside Karen Smith, Jens Louis Petersen and Paul Hammerich. The series is one of the most well-known and popular examples of Danish television and represents the peak of longtime development of Danish TV drama by the public service channel Danmarks Radio. The series has become part of the modern self-understanding of Danes, partly because of its successful mix of melodrama and a distinct warm Danish humour in the depiction of characters, which were portrayed by a wide range of the most popular Danish actors at the time; but also not least because of its accurate portrayal of a turbulent Denmark from around the start of the Great Depression and through Nazi Germany's occupation of Denmark in World War II.