Acting
May 4, 1958
Paris, France
Aurélien Recoing
Acting
Biography
Aurélien Recoing (born 5 May 1958) is a French actor and stage director. Aurélien Recoing is the son of Alain Recoing (puppeteer), and the brother of Éloi Recoing (director and translator), Blaise Recoing (actor and musician), and David Recoing (pianist, composer). Born in Paris on May 5, 1958, Aurélien Recoing began training to be an actor in 1974 at Cours Florent, and studied at Quartier d'Ivry. In 1977, the actor-in-training, who spoke fluent English and a little Russian, joined the Conservatoire national supérieur d'art dramatique in Paris, where he studied under Jean-Pierre Miquel and Antoine Vitez. He has appeared in more than 30 plays and has directed stage performances of works by Thomas Bernhard, Fernando Pessoa and Paul Claudel. He was awarded the Prix Gérard Philipe in 1989. In 1980, Aurélien Recoing took his first steps into the world of cinema, in Exploits of a Young Don Juan. Finding art-house cinema appealing to him, he worked with Philippe Garrel on Emergency Kisses (Les baisers de secours), and with Laurence Ferreira Barbosa on Modern Life. The actor rose to fame in 2001 thanks to Laurent Cantet's Time Out (L'Emploi du Temps), in which he plays a man who invents a false life to avoid having to tell his friends and family that he has been fired from his job. As he became more and more in demand, he alternated between blockbusters such as Ruby & Quentin and That Woman and art-house films like L'Ennemi naturel and Orlando Vargas. Lending his talents to a number of unusual projects, in 2006 he portrayed a gamblers in 13 Tzameti, Géla Babluani's black-and-white thriller, and also appeared in Forgive Me (Pardonnez-moi), Maïwenn's home-movie style drama. In the same year, the physically imposing actor found himself transported back to 1914 France in Fragments of Antonin, and then to 1959 Kabylia in Florent Emilio Siri's Intimate Enemies. In 2008, he starred in Franck Llopis' Paris Nord-Sud and in La Saison des Orphelins. The following year, he was cast in Gilles Béhat's crime thriller Diamant 13 with Gérard Depardieu, and in Denis Dercourt's Tomorrow at Dawn (Demain dès l'aube). He has made appearances in The Horde, directed by Yannick Dahan and Benjamin Rocher, Xavier de Choudens' Joseph and the Girl with Jacques Dutronc, and Léon Desclozeaux's Cargo, the Lost Men in 2010. He appeared in Frédéric Schoendoerffer's Switch, as well as in Olias Barco's Kill Me Please, which won the Marc'Aurelio d'Oro for best film at Rome Film Festival in 2010. He also appeared in Abdellatif Kechiche's Blue is the Warmest Colour, which took the Palme d'Or at Cannes. In 2020 he appeared in Adults in the room. An upcoming appearance is in Grand Ciel an Arte Film. He made his first short film as a director The Rifleman (Un Bon Tireur) which won an Award Winner for Best Drama in 2021. He is developing his first feature film Naked Hands (À Mains Nues) with Sensito Films Productions. Source: Article "Aurélien Recoing" from Wikipedia in English, licensed under CC-BY-SA.
Feature Films (88)
After being assigned to investigate the aftermath of a catastrophic plane crash, an NTSB black box analyst uncovers chilling audio anomalies that no one else seems willing to acknowledge. As he digs deeper for the truth, he provokes powerful forces determined to silence him before he exposes a shocking conspiracy.
Black Box
Nina, a mentally ill teenage orphan, starts a new job as a garden cleaner when she meets Toni. They fall in love but soon Toni starts betraying Nina. Meanwhile, Francoise is picked up at a Berlin psychiatric hospital by her husband, Pierre. After spotting Nina, Francoise believes that she has found her kidnapped daughter Marie, but no one believes her.
Ghosts
A cop investigates whether the man convicted of murdering his daughter is really guilty.
Counter Investigation
Sebastian, a young man, has decided to follow instructions intended for someone else, without knowing where they will take him. Something else he does not know is that Gerard Dorez, a cop on a knife-edge, is tailing him. When he reaches his destination, Sebastian falls into a degenerate, clandestine world of mental chaos behind closed doors in which men gamble on the lives of others men.
13 Tzameti
Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.
Dark Night, October 17, 1961
Television & Series (9)
The economic situation is a nightmare: only 20% of the population is employed. The Actives live inside the city. On the fringes, in the Zone, live the Jobless. Separating them is a wall.
Trepalium
Cynical private detective Nestor Burma investigating murders, missing persons, kidnapping and extortion cases in every arrondissement of Paris.
Nestor Burma
Pauline regains her freedom when her husband dies, but her silence about the event places her under suspicion.
What Pauline Is Not Telling You
A former crook who is believed dead and builds a new life for himself after extensive facial surgery is traced. He is soon forced to go back to his home town to infiltrate the criminal gang he used to work with under his new identity. A dark, addictive tale of betrayal and revenge.
Reborn
A small French village anticipates the supposed end of the world, attracting outsiders, straining the community's fabric as various eccentric personalities collide, each grappling with existential voids through unique fears and desires.
