Malachy McCourt

A fleeing gangland flunky discovers the New York nest of Aztec deity Quetzalcoatl, the man-eating flying serpent.

No overview available.

An adaptation of Thomas Wolfe's literary classic, telling of the struggles of a young writer determined to be a success in New York's literary world of the 1920s, his married lover, and the brilliant editor who sees him as a blossoming genius. The story parallels the life of Wolfe himself and his affair with stage designer Aline Bernstein.

A dispirited cop chucks his job on the force and, with the help of a college co-ed, sets out to solve the murder of a police colleague who had been his best friend.

A candid and revealing insight into the private life and public career of Richard Harris. One of the most remarkable actors of his generation, the documentary explores Harris’s complex and, at times, contradictory character. Each of his three sons — Jared, Jamie and Damian — brings their own perspective to bear as they summon the ghost of their late father to the screen.

A modern-day comedy and murder mystery inspired by the many classic Hollywood comedies of the 1930s. Essentially, the movie invokes the sparkling, witty spirit of these films and recreates it in an upscale, modern-day, gay setting. The two primary characters are a very wealthy, attractive, gay couple, one older, the other younger who have returned to New York City in order to get married. However, they end up embarking on a crime-solving adventure.

A disturbed young boy whose parents have recently died begins worshipping a stuffed chimp god as his relationship with his aunt/guardian becomes increasingly toxic. "Suggested by the short story 'Sredni Vashtar' by Saki (H. H. Munro)", per the credits.

Monty Brewster, an aging minor-league baseball player, stands to inherit $300 million if he can successfully spend $30 million in 30 days without anything to show for it, and without telling anyone what he's up to... A task that's a lot harder than it sounds!

An enchanting slice-of-life comedy about a hard luck gambler who gets in over his head when he starts putting his store's profits on the line.

When Joan Weldon discovers she is dying of lung cancer, she sets out to reconcile her dysfunctional relationships with her three children, her husband, and along the way, her former best friend. The family's destructive ways are offset by messy and somewhat humorous attempts by Joan to set her children on the right course before she dies. In this big dysfunctional mix, they will all learn to connect in their own ways, and realize on their own terms what life is about.

The siblings of the Fitzgerald family must decide if the dad who abandoned them 20 years ago can come home for Christmas. Can the big Irish clan get past their grievances to be a family again?

Following a terrible car crash, a woman awakes to find an enigmatic mortician preparing her for burial.

The F.B.I. is an American television series that was broadcast on ABC from 1965 to 1974. It was sponsored by the Ford Motor Company, and the characters almost always drove Ford vehicles in the series. Alcoa was co-sponsor of Season One only.

A British television anthology of stories, often with sinister and wryly comedic undertones, and a twist at the end. With early episodes written and presented by Roald Dahl, the series featured a plethora of big name guest stars.

The daily lives of prisoners in Emerald City, an experimental unit of the Oswald Maximum Security Prison where ingroups - Muslims, Latinos, Italians, Aryans - stick close to their mutual friends and terrorize their mutual enemies.

No overview available.

Surfside 6 was an ABC television series which aired from 1960 to 1962. The show centered on a Miami Beach detective agency set on a houseboat and featured Troy Donahue as Sandy Winfield II; Van Williams as Kenny Madison; and Lee Patterson as Dave Thorne. Diane McBain co-starred as socialite Daphne Dutton, whose yacht was berthed next to their houseboat. Margarita Sierra also had a supporting role as Cha Cha O'Brien, an entertainer who worked at The Boom Boom Room, a popular Miami Beach hangout at the Fontainebleau Hotel, directly across the street from Surfside 6. Surfside 6 was in fact a real address in Miami Beach, where an unrelated houseboat was moored at the time; it can also be seen in the sweeping aerial establishing shot of the Fontainebleu in 1964's Goldfinger.