Katharina Schlothauer

Fun-loving Anna and her brittle lodger Mr. Kurtz are already living under the same roof as an old married couple. The balance of opposites threatens to tip when Anna's helper syndrome kicks in twice. Her friend Gundi, who has injured her knee, needs help with her everyday life and a barrier-free home, but she can hardly afford a new apartment on her meagre pension. Anna's ex Willi needs a place to stay even more urgently. Soon there is the danger of a senior citizens' flat share.

It's been a year since Moritz Wagner and his daughter Aluna turned their backs on Kenya and moved to Hamburg. They searched in vain for Farrah, Moritz's wife and Aluna's mother. Moritz's strenuous, sometimes traumatic job as a war photographer had put a lot of strain on their marriage. Farrah took some time off and disappeared without a trace. Now news reaches Moritz from the Kenyan police that his wife has been recovered dead from her car in Kenya. Shortly after, Farrah's sister Pascale suggests that Farrah was not the victim of an accident, but was murdered. Moritz sets off for Kenya. But when he wants to meet his sister-in-law, she dies in front of him. Moritz is now considered a suspect and has to justify himself to the Kenyan police and flee. Together with Caroline, a shirt-sleeved used car saleswoman and good friend of Farrah, Moritz sets out to find the secret behind Farrah's death. The trail leads them both to the Congo.

What a curious plan of Lya. Putting sleeping pills in the morning tea of her father. Pulling the sleeping wheelchair user to the vegetable store of her brother and attending secretly the acting exam. And all this only because Lya thinks that eight years of caring for her father where enough tribute to the family.

The body of Christian Rommedahl, from Denmark, washes up on the Flensburg Fjord. The victim's friend and work colleague, Lasse Jørgensen, is the target of the new investigator duo Svenja Rasmussen and Antoine Haller. Another lead leads the inspector to the Flensburg liquor dealer Philipp Schaaf. There also seems to be a connection between him and the dead. Because photos of Schaaf's daughter Lisa are found on the dead person's cell phone, and Lasse also seems to be involved.

Childcare is a constant topic of discussion and argument between Nika and Tom. Until the seemingly perfect nanny enters their lives. But are their children safe with Manu? Nika meets the young, likeable woman by chance in the playground. When she spontaneously offers to be their nanny, Manu seems to the young couple like an angel fallen from heaven, improving their overburdened family life in no time at all. Designer Nika in particular gets on really well with the creative Manu, beyond all the children's issues. Tom is not quite so enthusiastic, he would like to keep the relationship on an employee basis, because Manu is increasingly intruding into their family life, spending the night with them and "standing in" for Nika at a family weekend.

A pure nightmare: outtakes of a film that consists of nothing but outtakes. Its truest moment is a dream sequence in which the torturous initial sequence dissipates in an intoxicating rush, only to resurface, ghost-like, in a third sequence. Nothing is finished, not even the intertitles. Everything is emerging. Or decaying.

No overview available.

Anna and her lodger, Mr. Kurtz, have come to terms with each other in their shared flat. But both Mr. Kurtz's planned conversion of the cosy four walls into a smart home and Anna's feelings for a new acquaintance shake up their life together.

After her fiancee cancels the wedding, Merlin's life changes drastically when she moves in with one of her brother's best friends.

With Mike it's anything but round: flat away, job a one-way street, and to make matters worse, his little loser heart still beats for ex-wife Claudia.

Martin Kühn has work to do - and a lot of it. As an inspector, dealing with murders and kidnappings is his bread and butter, but when these crimes happen almost on his doorstep, even the experienced police officer is not left cold.

In 1933 in Berlin. Anna is only nine years old when her life changes from the ground up. To escape the Nazis, her father Arthur Kemper, a well-known Jewish journalist, has to flee to Zurich. His family, Anna, her twelve-year-old brother Max and her mother Dorothea, follow him shortly thereafter. Anna has to leave everything behind, including her beloved pink rabbit, and to face a new life full of challenges and privations abroad.

Der Kriminalist is a German television series produced by Monaco Film Hamburg, subsidiary of Odeon Film. Directors during the first season were Sherry Hormann and Torsten C. Fischer, during the second: Thomas Jahn, Jobst Oetzmann and Torsten C. Fischer.

A medic lives with his small and strange family between the mountains and every episode he comes across a situation with not only his patients but also his family and friends.

A medic lives with his small and strange family between the mountains and every episode he comes across a situation with not only his patients but also his family and friends.

When the failed soldier of fortune Johnny returns to his little sister Charlie after years abroad, he finds that his late father's beekeeping business is at an end.

Helen Dorn is an expert Police Commissioner, who’s years of experience have given her killer instinct when it comes to crime. On the department head’s orders, Helen Dorn become involuntary partners with Detective Chief Superintendent Gregor Georgi, with Helen in the role of Georgi’s superior. After initially ruffling some feathers, as Gregor thought he was about to take over a case as head investigator and not confronted with a new superior, the two prove to be a solid pairing: Helen’s famed intuition is matched by Gregor’s rational analysis and precision. But will he be able to unearth her mysterious past?