Jonelle Allen

Developed from Anne Grant's book, Our North American Foremothers, this film recreates historical moments and women who fought for equality and freedom over the span of the 18th, 19th, and 20th centuries.

Phil, Melissa, Mitch, Mary, and Vinnie are high school friends, who unwittingly raise the dead on Halloween night. Once the dead have returned, Pitchford Cove will never be the same again....or will it?

Showtime presented this pro-shot musical revue of the songs & lyrics of legendary film and Broadway composer Frank Loesser.

An intimate look at life in the ghetto: Johnny Williams is a house painter who moonlights as a poet, struggling to financially and emotionally support his cancer-ridden wife Mattie. But times are tough and the poverty-troubled streets are even tougher, and it takes every ounce of Johnny's love and courage for the couple to make it through their strife, finding redemption in the River Niger.

Sequel to Cotton Comes to Harlem. Another bad influence is hitting Harlem and Gravedigger and Coffin Ed are the two cops who will stop it. Charleston Blue was a prohibition era black gangster, dead 4 decades. When he seems to have reappeared, once again slitting throats with his Blue straight edge razors, the two cops begin a complicated search for some answers.

An insurance man is heavily in debt to a money lender and must pay or die.

Vampire Anton Voytek's lair is disturbed by the ground breaking for a new church. Anton attempts to start a modern life using his hoarded wealth, but finds it's been confiscated by the authorities. He takes revenge on the architect responsible, who in turn, aided by a retired detective, tries to hunt down and destroy Anton.

A high school girl who needs a ride accepts one from a boy she doesn't know. He then forces her to participate in a robbery, in which a clerk is killed. They are soon caught, and the girl, despite her protestations of innocence, is convicted of first-degree murder and sent to prison. Once she gets there, she finds out that her troubles are just beginning.

A woman rents a mansion to use as a halfway house for delinquent girls but a killer shows up.

Discover how television has reflected the African American experience in this retrospective of the medium's first half-century. Actors, writers and historians discuss the image of black America on television from Amos and Andy to the present day. The interviews accompany clips from groundbreaking shows and performances by entertainment pioneers that create a timeline of the portrayal of African Americans throughout TV history.

A man who grew up in a primitive society educating himself by reading Shakespeare is allowed to join the futuristic society where his parents are from. However, he cannot adapt to their repressive ways.

Things looked pretty simple: the confessed murderer had all the evidence against him. The Prosecutor Jansen could not have been more relentless, conservative and incisive. Furthermore, the jury already had a verdict: guilty of the more than 30 charges against him. But suddenly Judge Kenneth Hoffman finds out that the evidence was not obtained legally, so the procedure is void. Judge Hoffman is in the middle of this legal storm, although he wants to apply the law strictly, he will find everybody against him.

Trapper John, M.D. is an American television medical drama and spin-off of the film MASH, concerning a lovable doctor who became a mentor and father figure in San Francisco, California. The show ran on CBS from September 23, 1979, to September 4, 1986.

Passengers who search for romantic nights aboard a beautiful ship travelling to tropical or mysterious countries, decide to pass their vacation aboard the "Love Boat", where Gopher, Dr. Bricker, Isaac, Julie, and Captain Stubing try their best to please them, and sometimes help them fall in love. Things are not always so easy, but in the end, love wins.

Archie Bunker, a working class bigot, constantly squabbles with his family over the important issues of the day.

A friend group of black women face life's tests and triumphs together. From dating to divorce, and friends to family to relationships, Joan, Maya, Lynn and Toni support each other despite their differing backgrounds.

Barney Miller is the kind of cop we'd all like to run into. Always sensible, he maintains order over a band of detectives who gamble, hit on anything in skirts, go to renaissance philosophy conventions for fun, and would really prefer to be writing. Nearly all of the action takes place in the squad room where citizens and criminals are brought in to complicate the mix.