Margarita Sanz

A biography of artist Frida Kahlo, who channeled the pain of a crippling injury and her tempestuous marriage into her work.

No overview available.

No overview available.

Heated tempers, frustrated desires and dashed hopes plague a diverse group of individuals whose lives cross paths in Mexico City. There is the bar-owner's son, Chava, who yearns to emigrate to America. A poor barber, Abel, is madly in love with the gorgeous Alma, who eventually becomes a high-class prostitute. Finally, there is Susanita, the desperate spinster who pursues many love affairs in hopes of finding a husband.

A couple meet each other often in a motel room.

Jacqueline (Bonilla) and Nicolas (Echanove) are so in love that they decide to get married "until death takes them apart". When love dies and infidelity takes its place, Jacqueline decides there's no time to fulfill the promise of their votes. She begins to plot her husband's murder, but destiny is committed to surprise her in many ways.

The story of a naive young man, provincial and not very experienced, to whom the circumstances of destiny, when crossing with the beautiful Frida, lead him to mature with a single blow. Rodolfo helps Frida in a car accident while she orders him to deliver an envelope. There begins the desperate flight of this innocent man fighting for his life, persecuted by thugs -who want to recover the contents of the envelope- and by the police -who seeks him for being a suspect in the death of an important diplomat.

Igor is a plumber; Pina serves coffee. It is winter and they both deeply desire each other, but they are not free. In trying to figure out how to realize their love, she decides to make a lion costume for her little son and he decides to buy a photocopying machine for his wife. Spring will come at last and with it the consummation of love, filling their lives with hope and sex.

When four women move into an old house left by one woman's aunt, strange things begin to happen. Bizarre voices, visions of ghosts, and mysterious noises lead them to discover the darkest powers of evil and a horror and agony beyond terror.

A woman returns to México to say goodbye to an old boyfriend.

Marcela is a young woman who lives in Mexico City, where she makes her living teaching ballroom dancing. Everything seems to be fine in her little world: she is hoping to start her own dance academy and has romantic plans. However, one day she finds out that something strange is happening at her parents house: an underground and latent discomfort grows week by week. Gloria, her mother, seems absent, talking about strange events far from her daily routine and experiencing memory lapses. Almost at the same time, Nacho, Marcela's father, loses his job and, with it, his self esteem. Marcela forgets about her own needs choosing instead to concentrate on her parents troubles and reestablishing family harmony.

Ofelia visits a coffee shop where she recalls all her life.

La calle de las novias is a Mexican telenovela produced by TV Azteca and Zuba Producciones. Directed by Jaime Humberto Hermosillo, it stars Silvia Navarro and Juan Manuel Bernal as protagonists.

Maricruz and Beatriz are school friends; Beatriz comes from a well-to-do family, whereas Maricruz belongs to a lower socioeconomic stratum. Both are on the verge of turning fifteen and are preparing to leave childhood behind. Issues within their family and social environments affect them directly; for Beatriz, her parents' marital breakdown becomes the primary obstacle to overcome, compounded by a sexual awakening fraught with taboos and misinformation. Meanwhile, Maricruz must contend with her mother's overprotectiveness and prejudices, as well as the tension caused by a neighbor who is obsessed with her.

She was a self-taught scholar and a nun. And she refused to apologize for being a woman born into a man's world.