Krzysztof Banaszyk

Bogdan and Marta take part in a TV show 'Blind Date' and eventually win a romantic stay at the luxurious hotel for the long May Day weekend. They seem to be so different, however, that they hardly stand each other.

The film depicts the momentous and tragic history of the Poznan uprising of 1956. The memory of the director, who was a nine-year-old boy at the time, is the only canvass of the script. The main characters of the black-and-white film are two boys aged ten and twelve. From their perspective, the viewer follows the development of events. From the depths of the gates, through the rails of fences and cluttered backyards, through the eyes of the children we watch the street riots. The film, without action in the literal sense of the word, was made using a reportage technique that perfectly captures the spontaneity of the Poznan uprising. Among other things, the author of the picture depicts the adventures of a young worker Zenek, who becomes the unwitting leader of the protest, and five professors, who by chance find themselves in the very center of events.

The teenage siblings know that no one will give them a life more interesting than vegetating in a gloomy hole. They take matters into their own hands and organize a bank robbery, because money is their ticket to a better world. Everything was supposed to go smoothly, but then that fatal bad luck struck... Cop 1 isn't so bad: he keeps his wife in line because he loves her, he drinks because he's lost, he takes bribes because he needs money for booze. Cop 2 isn't bad either, he just supports Cop 1, who's in trouble, spiritually. Soon, the paths of the cops and thieves will cross...

When an explosion at a gas station kills a policeman, "Gebbels" from homicide is assigned to the case. The investigation leads him to the trail of a bomb maker and kidnapper, behind dozens of attacks in Poland initiating a confrontation and all-out war.

Cardinal Stefan Wyszyński is secretly abducted from the Primate’s Palace and sent into solitary confinement at Stoczek Warmiński, accompanied by Father Stanisław, recently freed from Rawicz, and Sister Leonia, coerced from Grudziądz, forming an unlikely retinue in his enforced exile. As state spies and the camp commandant conspire to break the Primate’s resolve, Father Stanisław risks everything to smuggle word of Wyszyński’s whereabouts to the outside, hoping to foil the regime’s darkest “third variant.”

The film tells the story of the life of Mark Late, who at first glance does not stand out from the crowd with anything special. We meet him in 1968, when, as an infant with a character, he gives a "crack" to everyone in his closest environment. Through Marek's subjective and witty gaze we see the banana era of Gierek, the election of the Pope-Pole, martial law with perpetually missing oranges, which are to arrive from brotherly Cuba at an unspecified time. Eighteen-year-old Marek, after failing the exam for the School of Theater, calls up the army, from which Marek... deserts. The second time he gets into the school of his dreams, and only then does his life gain momentum. He finds a spiritual mentor, a great actor. He befriends the extravagant Victor. But most of all, he falls in love with the beautiful Marta, a fellow student...

Military doctor Kwiatkowski, serving in a barracks hospital on the Western Territories, is rewarded with a week’s leave after successfully operating on Colonel Kiziora of the UB. He and his friend steal a truck bound for Warsaw, where among the ruins of his former home he meets his prewar neighbor Krysia, instantly falls in love, and, after a brawl with a Russian officer at a dance in the surviving “Polonia” hotel, pretends to be a high-ranking UB colonel to save face.

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No overview available.

No overview available.

No overview available.

Three high school graduates prepare to start the next chapter of their lives, but the outbreak of World War II may derail their dreams forever.

The series follows the story of the Szczygłów family's removal firm, starting from New Year's Eve 1899. It seems that every time they do a removal, an object gets lost. Each episode is centred around this object. The series was intended to follow the Szczygłów family right up to the year 2000. Series 1 gets as far as 1941.

No overview available.