Elisabeth Alain

1840. The arrival of a young tutor in a wealthy Russian family will stir the hearts of two women. The mother, Natalia Petrovna, and her 17-year-old ward, Vera, fall in love with the frustrated boy... Adaptation of Ivan Tourgueniev's most famous play, starring Delphine Seyrig as Natalia Petrovna.

In 1668, in the Cotentin region, witchcraft was still widely practiced. To get rid of an overly strict priest, a gathering of heretics took advantage of the night of Saint Martin to organize a sabbath. A young boy found himself involved in this black mass against his will. The religious authorities decided to investigate and punish the miscreants...

Prince Myshkin is a good man, yet his goodness borders on naivety—or even idiocy. After spending his youth in a Swiss sanatorium being treated for epilepsy and autism, he returns to Russia to enter social circles riddled with hypocrisy and greed. One emerges from the experience dazed, as if waking from a troubled dream.

The story takes place in Brittany in 1944, a few weeks before the Allied landings in Normandy. Blanche Lacassagne and her daughter-in-law Anne leave Paris to take refuge at their family farm in Kerbriant, a village in southern Morbihan. Once there, they discover that their phone line has been mistakenly connected to the Kommandantur’s line. The Resistance quickly seizes this opportunity to eavesdrop on the German officers’ conversations.

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

Prince Myshkin is a good man, yet his goodness borders on naivety—or even idiocy. After spending his youth in a Swiss sanatorium being treated for epilepsy and autism, he returns to Russia to enter social circles riddled with hypocrisy and greed. One emerges from the experience dazed, as if waking from a troubled dream.