Hedwig Tam

On the night before Yuet's wedding, best friends Nam and Yuet recall their time together in school, when they shared a relationship that was more than friendship, but also perhaps not quite love.

Divorced café owner Kayan lives with her daughter Tung. Her life is renewed after meeting her lesbian partner Shuting who becomes part of the loving family. When Kayan dies in a tragic car accident, the grieving Shuting wants to continue taking care of Tung but encounters strong opposition from Kayan’s mother. At Kayan’s funeral, due to social norms and taboos, Shuting is completely side-lined and stripped of the privilege to bid farewell to the love of her life. She faces yet another dilemma, having to make the decision to do what is best for Tung.

Chan Shi Kyun (cast by Richie Jen) and Yu Chi Lun (cast by Ekin Cheng) have been long time good friends. They recklessly bought a dishwashing factory on the cheap but discover that the business is in a financial ruin and has no employees while existing contracts must be honored at the risk of financial penalty. To solve their problem, they decided to hire through a social worker so they will be eligible "special social enterprise" government subsidy in this crowd-pleasing comedy.

Four young people plan a heist to fight back against rich boomers, only to be caught in a wealthy church’s money laundering conspiracy.

Inspired by the poem A Snail in a Phone Box (2006) by Dr Eric Lui. The work synthesises new insights into visuals and poetry. What begins as a promise evolves into an exploration of the emotional links between poetry and the art of loving, eventually transforming into a hegemony of power. To recreate this message, director and animator Step C. developed a new surreal style that combines live action with animation, building a realm that blurs the boundaries between reality and dreams.

Ho Sau, an undercover agent, has been working with Yau, a drug lord, for years, but his job and family are in trouble.

The chaos began at the Winter Solstice dinner eight years ago. The father lost his temper, the son, not able to forgive his father, ran away from home. Eight years have passed, and the family's relationship is still cold and distant. A cousin returns to Hong Kong from England and hopes to gather everyone for a Winter Solstice dinner. The long-awaited gathering prompted everyone to rethink their relationships with family members. Some choose to leave, some are back. When things are about to fall apart, it might as well be an opportunity to mend connections.

A pair of lovers, one of whom is a humanoid, go to a robot repair shop hoping to have their relationship mended by the mechanic. On his advice, the human owner Jackie agrees to an irreversible upgrade for Tammy, her humanoid soulmate. However, the results are not as expected. Tammy meets Anima, a fellow humanoid, setting in motion a series of events in a tango between the intangible sense of love, the harsh reality of possession, and the price of independence.

For his project under the lauded First Feature Film Initiative programme, director Ka Sing-fung tells the heartrending journey of a woman whose life is forever changed by the children she takes in as a temporary foster carer. In a career-best performance, Sammi Cheng stars as Mei, a woman trying to get over the death of her young son through the children she welcomes into her home. Each ward offers Mei a different challenge and a newfound appreciation for the difficulties of motherhood, but when her dedication to the job causes her marriage to turn sour, Mei is forced to make a choice.

A loving mother makes a death pact with a spirit by sacrificing her life to save her child. Years later, he grows up and is bullied whilst studying in medical school, resulting in his death. Reunited in death as vengeful spirits, mother and son open up a hell hole to those who had wronged them.

Poetry on Film is a moving image commissioning project for young and emerging Hong Kong filmmakers, motivated by the belief that poetry possesses an inherent cinematic quality. Its rhythmic cadence, vivid imagery, and emotional depth offer a rich tapestry for filmmakers to weave their visual narratives. Animator STEP C., narrative filmmaker Chu Hoi Ying, analogue film artist Jolene Mok, and documentarian Lee Wai Shing were asked to choose a contemporary Chinese-language poem written by a local writer, then visualise it using their personal cinematic language. The resulting shorts showcase the diversity of Hong Kong moving image practice, with unique approaches to medium, storytelling, cinematography, and sound.

The story revolves around three couples dealing with accidental pregnancy, unfaithfulness, and planning a wedding with a meddling Mother-In-Law. Will they call it quits or remember why they fell in love in the first place?

Twenty years ago, Takeda Kunizen secretly saw his father presenting a scroll to his younger brother Kosho. Kokatsu believed that the scroll contained "martial arts secret techniques". One day, a new immigrant, Xiaoyue, was bullied. A quasi-Olympic karate player, Zhuang Hui, got involved. Zhihao, a gangster who was put on a horse by a gangster, was involved. He was just passing by to stop the fight.

No overview available.

No overview available.

Li Ziyong Thomas was born in poverty. When he was young, he worked hard to earn his mother's medical expenses. He met Sammy Fang, a girl who also worked in a tea restaurant, and became good friends since then. After his mother passed away, Thomas opened a restaurant, the business was good, and he worked hard with his friend and partner Sammy. One day, Thomas meets He Leer Joyce who he met in Belgium again. The two hit it off and soon walked together...

Li Bai lived with Shihao in the countryside since he was a child, like a wild child. According to Shihao, Li Bai's mother turned out to be a big star! By chance, Li Bai went to the city to look for his mother, but of course he found out that everything was just a lie. From then on, Li Bai decided to leave Pingao Bay, and later established a tutoring kingdom with his good brother Yan Jiadong, and embarked on a completely different path from Shihao. Now, both career and family suddenly collapsed, and Li Bai returned to Pingao Bay, unexpectedly, Shihao directly asked him to be the vice principal. In this way, facing different educational problems, Li Bai started one after another, a unique class. In the process, Li Bai gradually integrated into rural life, and cultivated a good relationship with every student as both a teacher and a friend. Li Bai finally understands Shihao's educational philosophy: "Life itself is the best education lesson."