Adam Wade

The rise and fall of a Mafia gangster, based on the life of murdered New York gangster "Crazy" Joey Gallo.

Singer-songwriter Winslow Leach seeks revenge on the nefarious music producer Swan, who steals both Winslow's music and his favorite singer for the grand opening of Swan's new rock palace, the Paradise.

Sequel to Cotton Comes to Harlem. Another bad influence is hitting Harlem and Gravedigger and Coffin Ed are the two cops who will stop it. Charleston Blue was a prohibition era black gangster, dead 4 decades. When he seems to have reappeared, once again slitting throats with his Blue straight edge razors, the two cops begin a complicated search for some answers.

A close-knit Greek-American family, jeopardized when its Manhattan bakery goes up in flames, looks desperately for ways to solve the financial dilemma of repossession and property without destroying its heritage.

A tongue-in-cheek pseudo-documentary, with actual concert footage, of L7's trials and travails being a punk-like band in a pop-like marketplace.

Cool Black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter.

Claudine is a single mother in New York City who endures an exhausting commute to the suburbs where she works as a maid for wealthy families. In one carefully tended white community, she meets Roop, a charismatic but irresponsible garbage collector. Romance quickly ensues, but Claudine doubts that their relationship is good for her six children, and Rupert, despite his good nature, is reluctant to take on fatherhood.

A black soldier comes home to Harlem after a tour in Vietnam and discovers that his wife had become a heroin addict and died of an overdose. Infuriated, he gathers three of his ex-GI buddies and they lay out plans to fight the drug dealers.

In this detective drama, a prosecutor investigates a murder and finds that it is connected to a recent mugging. In the end, he is led to convict a high-ranking crime lord.

A drama that looks back on the Harlem Renaissance from the perspective of an elderly, black writer who meets a gay teenager in a New York homeless shelter.

In a daring robbery, some $300,000 is taken from the Italian mob. Several mafiosi are killed, as are two policemen. Lt. Pope and Capt. Mattelli are two New York City cops trying to break the case. Three small-time criminals are on the run with the money. Will the mafia catch them first, or will the police?

The Harlem Globetrotters change fairy tale history on their way to Grimmania.

Good Times is an American sitcom that originally aired from February 8, 1974, until August 1, 1979, on the CBS television network. It was created by Eric Monte and Mike Evans, and developed by Norman Lear, the series' primary executive producer. Good Times is a spin-off of Maude, which is itself a spin-off of All in the Family along with The Jeffersons. The series is set in Chicago. The first two seasons were taped at CBS Television City in Hollywood. In the fall of 1975, the show moved to Metromedia Square, where Norman Lear's own production company was housed.

The F.B.I. is an American television series that was broadcast on ABC from 1965 to 1974. It was sponsored by the Ford Motor Company, and the characters almost always drove Ford vehicles in the series. Alcoa was co-sponsor of Season One only.

Sitcom following a successful African-American couple, George and Louise “Weezyö Jefferson as they “move on up” from working-class Queens to a ritzy Manhattan apartment. A spin-off of All in the Family.

No overview available.

Sanford Arms is an American sitcom that aired from September to October 1977 on NBC. The series is an attempted continuation of the sitcom Sanford and Son. After six seasons, Redd Foxx left Sanford and Son to star in a variety show for ABC. The producers planned to continue the series with Demond Wilson as Lamont, but Wilson left the project in a dispute over his expected salary as the star of the series. The producers decided to continue the project with a new character. Norman Lear stepped down from his position as executive producer but stayed on as a consultant.