André Hennicke

In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.

In 1943, as Hitler continues to wage war across Europe, a group of college students mount an underground resistance movement in Munich. Dedicated expressly to the downfall of the monolithic Third Reich war machine, they call themselves the White Rose. One of its few female members, Sophie Scholl is captured during a dangerous mission to distribute pamphlets on campus with her brother Hans. Unwavering in her convictions and loyalty to the White Rose, her cross-examination by the Gestapo quickly escalates into a searing test of wills as Scholl delivers a passionate call to freedom and personal responsibility.

Oskar Roehler's drama Der Alte Affe Angst (Angst) is about the dissolution of a couple. Robert (Andre Hennicke) and Marie (Marie Baumer) have little in common other than their sex life. Since Robert is going through a bout with impotency, they are having a very rocky time. Robert learns that his father, whom he is estranged from, has died. This disturbs Robert so much that he visits a prostitute, and is able to engage in sex with her. Marie discovers the infidelity, and the prostitute has a surprise of her own. Angst was screened at the 2003 Berlin Film Festival.

Rien ne va plus is a photofilm, a love story between the souls of two people who died at the same time: Igor, a refugee from Azerbaijan, and Kah, the murdered wife of a diplomat. A film about geographical, physical and spectral borders.

The year 1933: Successful actress Maria Rheine is in love with her Jewish colleague Mark Löwenthal. When the Nazis implement the racist Nuremberg Laws, their relationship is severely endangered. Defiant Maria decides to stay together with Mark and ends her promising career: She assumes a Jewish identity and continues to work under the name Manja Löwenthal. She and Mark perform at the Jewish Theatre in Berlin, until they become victims of an intrigue: Their colleague Judith, who has a crush on Mark, denounces them to the secret police.

Professor of language and philosophy Dominic Matei is struck by lightning and ages backwards from 70 to 40 in a week, attracting the world and the Nazis. While on the run, the professor meets a young woman who has her own experience with a lightning storm. Not only does Dominic find love again, but her new abilities hold the key to his research.

Thomas and Hanna, a deliriously happy couple in their late 30s, buy an old house in the country with plans to fix it up over the summer. Hanna is looking forward to their time together – so when Thomas invites his older brother, Friedrich, who is deeply depressed over the failure of both his business and his marriage, to join them, she is disappointed by the intrusion. Easygoing, charming, and talkative, Thomas seeks to counterbalance the cloudier mood with an impetuous frenzy of activity, but Hanna retreats into sullenness and retaliates by bringing in her nubile young godchild Augustine until things smooth themselves out. Augustine’s youthful sexiness has anything but a soothing impact on Thomas, however, whose adolescent impulses linger just below the surface.

When a notorious German serial killer is captured after committing some of the most heinous acts against humanity ever imaginable, a farmer and police officer from a sleepy rural community on the outskirts of Berlin is drawn into the case as he searches for the answers to a murder that has shaken his tight-knit community.

In a small Northern German town, a dishonourably discharged Afghanistan veteran is offered a job as a deliveryman by an alcoholic Turkish entrepreneur, through which the former meets the latter's gorgeous wife.

Following her parents' wishes, spirited seventeen-year-old Effi Briest marries Baron von Innstetten – a former admirer of her mother – who is twenty years Effi's senior. This marriage of prudence heralds the beginning of a humdrum life, far from home, for Effi. Innstetten devotes himself entirely to his political career, and the sleepy small town of Kessin has very little to offer in terms of variety. But then, one day, Innstetten's old regimental comrade, Major Crampas – a charming womanizer – arrives on the scene.

After nine years in psychiatric detention Theo, who has brutally assaulted and raped three women, is released. Living in a supervised community, he connects well with his social worker Sascha, finds a job at a print shop and even a girlfriend, Nettie, his principal's brittle and estranged daughter. But even though superficially everything seems to work out Theo's seething rage remains ready to erupt.

Countless valuable info of Der Untegang's production as choice of St. Peterburg, how the German producers have been envisioned this upper-class movie as final world about all happenings carried out at bunker upon Traudl Junge's notes.

A reassessment of the role Albert Speer played in the Third Reich. Speer, who was ultimately convicted at the Nuremburg trials and served a 20-year prison sentence, was known for designing many of the Third Reich's buildings and for being Hitler's minister for war production.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Stockinger is an Austrian-made police television drama, with fourteen 45-minute episodes first aired from 1996 to 1997. The series is a spin-off from the popular Austrian television drama Inspector Rex, and focuses on Ernst Stockinger, one of the original members of the Homicide division or Mordkommission in German. Stockinger leaves the series to return to Salzburg where his wife has inherited a dental practice from her late father . He is appointed a Bezirksinspektor at the Landes Gendarmerie, sharing an office with District Inspector Antonella Simoni. Unlike the members of the team in 'Rex', who appear to be self-directed and are seldom seen to answer to senior management, Stockinger reports to Dr Brunner, a philosophising burecratic senior police inspector. Stockinger is portrayed as a clumsy, almost Inspector Clouseau-like character, driving a clapped-out 1973 VW Variant, but single-minded when following up clues.

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