
Acting
Sep 30, 1928
Detroit, Michigan, USA
George Peppard
Acting
Biography
George Peppard (October 1, 1928 – May 8, 1994) was an American actor. He is best remembered for his role as struggling writer Paul Varjak in the 1961 film Breakfast at Tiffany's, and for playing commando leader Col. John "Hannibal" Smith in the 1980s television series The A-Team. Peppard secured a major role when he starred alongside Audrey Hepburn in Breakfast at Tiffany's (1961), and later portrayed a character based on Howard Hughes in The Carpetbaggers (1964). On television, he played the title role of millionaire insurance investigator and sleuth Thomas Banacek in the early-1970s mystery series Banacek. He played Col. John "Hannibal" Smith, the cigar-smoking leader of a renegade commando squad in the hit 1980s action show The A-Team.
Feature Films (51)

Holly Golightly is an eccentric New York City playgirl determined to marry a Brazilian millionaire. But when young writer Paul Varjak moves into her apartment building, her past threatens to get in their way.
Breakfast at Tiffany's

Intercutting dramatic vignettes with newsreel footage, the story follows the characters from an infantry squad as they make their way from Sicily to Germany during the end of World War II.
The Victors

In 1960s Paris, an American boxer stumbles upon an international fascist conspiracy that aims to create a new world order.
House of Cards

The epic tale of the development of the American West from the 1830s through the Civil War to the end of the century, as seen through the eyes of one pioneer family.
How the West Was Won

In September 1942, the German Afrika Korps under Rommel have successfully pushed the Allies back into Egypt. A counter-attack is planned, for which the fuel dumps at Tobruk are a critical impediment. In order to aid the attack, a group of British commandos and German Jews make their way undercover through 800 miles of desert, to destroy the fuel dumps starving the Germans of fuel.
Tobruk

Following World War III, four survivors at a desert military installation attempt to drive across the desolate wasteland of America to Albany, where they hope more survivors are living, using a specially built vehicles to protect themselves against the freakish weather, mutated plant and animal life, and other dangers encountered along the way.
Damnation Alley

An idealistic first-time director lives for his art — until he meets a wife of an Italian producer at the Cannes Film Festival. A passionate affair begins, but the couple's romance is tested as they face the temptations of fame and fortune.
An Almost Perfect Affair

Allied agents infiltrate the Nazi rocket complex at Peenemunde in order to obtain their secrets and sabotage the plant. The film alternates between German developments of the V-1 missile and V-2 rocket (with a German cast speaking their own language) and discovery by British Intelligence of the weapon.
Operation Crossbow

A young farmer assembles a band of diverse mercenaries to defend his peaceful planet from an evil tyrant.
Battle Beyond the Stars

Jonas Cord is a disagreeable young tycoon who's building planes, directing films, and catting around on the corporate make in 1930s Hollywood.
The Carpetbaggers

Korean War, April 1953. Lieutenant Clemons, leader of the King company of the United States Infantry, is ordered to recapture Pork Chop Hill, occupied by a powerful Chinese Army force, while, just seventy miles away, at nearby the village of Panmunjom, a tense cease-fire conference is celebrated.
Pork Chop Hill

The only business in the Wild West town of Jericho that corrupt sheriff Alex Flood doesn't control behind the scenes is the stagecoach owned by tough-willed widow Molly Lang and her right-hand man, Hickman. Former marshal Dolan, recently hired by Lang and Hickman as a driver, wants to stay out of the mess, but when he sees Flood's henchman Yarbrough assault Lang, he steps up to fight the corruption.
Rough Night in Jericho
Television & Series (21)

Thrifty, folksy and cantankerous, Matlock charges a premium for his services but is worth every penny: This renowned attorney, always clothed in his trademark light-gray suit and driving his signature Ford Crown Victoria, has an uncanny knack for finding overlooked clues and exposing murderers in dramatic courtroom scenes.
Matlock

A British television anthology of stories, often with sinister and wryly comedic undertones, and a twist at the end. With early episodes written and presented by Roald Dahl, the series featured a plethora of big name guest stars.
Tales of the Unexpected

An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.
Studio One

Doctors' Hospital is an American medical drama that ran on NBC during the 1975–1976 season.
Doctors' Hospital

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.







