Leili Rashidi

Omid, a teenage athlete who is barred for bureaucratic reasons from a swimming competition; however, as his estranged father has made his consent to a divorce from his mother conditional on Omid's performance in the competition, he begins to train in open-water swimming under the coaching of Mani, with their increasingly close friendship leading to community rumours and allegations they are engaging in a gay sexual relationship with each other.

Follows Pari, who tries to cover up that her brother beat up his 3-year-old daughter. Her plan of manipulating the little girl into thinking it was all a game seems to go well, but they realize the truth can't be hidden for ever.

Adapted from the French play by Matthieu Delaporte and Alexandre de La Patellière, this 2015 Iranian production, directed by Lili Rashidi, centers around a family gathering that takes a sharp turn when Vincent, a soon-to-be father, reveals he plans to name his child "Adolf." What starts as a lighthearted conversation quickly spirals into conflict, bringing up buried family secrets and sparking debates over prejudices, societal taboos, and the weight we place on seemingly trivial matters.

Directed by Hassan Madjouni.

Tehran 2022. While Behzad is obsessed with his neighbor’s private life and is trying to force a chance meeting with his ex-girlfriend, his wife Sima is secretly looking for an apartment for her and their teenage daughter Minoo. In the meantime, Minoo starts a flirt with Keyvan at a traffic light and casually takes the initiative.

A serial killer is going around killing Iran's most beloved filmmakers. Hasan, a blacklisted filmmaker himself, is depressed and wonders: why isn't he being targeted?

Iran's national women’s futsal team makes the Asian Games final in Malaysia. But at the airport on departure day, the team captain finds her husband hasn’t signed the document to permit her exit from the country.

Say it before you are changed...maybe an owl. A young boy & girl get friends, but can't continue their relationship.

Manijeh Hekmat is an Iranian film director. Born in 1962 in Farmahin, Iran, she has worked since 1980 as an assistant director and production designer in over 25 films. She directed her first feature film Women's Prison (Zendān-e Zanān) in 2002. This film has been shown at over 80 international film festivals and has received seven prizes. Three Women (Seh Zan) is Hekmat’s second feature film made in 2007.

The doors of the jam produced by a company do not open. In order for them to be able to sell their jam, they reward the one who can open the jam. All the people try to open the door of the jam.

Rezvani, the director of a housing cooperative, is demanded by the shareholders to fire Farid Sadri, the contractor and the supervisor of the high-rise towers construction project, who could not manage to bring the construction process to an end on the due time, and find someone else to substitute him...

A young man in the village spends a few days in a garden instead of his uncle. On a rainy night, strange creatures mistake the garden for grandma's house and take refuge there.

It tells the story of a man named "Bardia Barazandeh" who owns a beauty center and is rich and miserly. But soon, with the revelation of the secret of Berdia's wealth, the situation of his family will improve.

No overview available.

On the ground, Nasser, a down-on-his-luck petty criminal and perpetually losing bettor, is about to make the last and biggest gamble of his life. Until then, he must hide himself from the enemies who thirst for his blood... On Mars, Luna, the Earth-Mars lady and real estate consultant of the Martian residence, is busy with work and family life problems. He is waiting for a mysterious package that is going to reach him from the ground...

Zizigulu is a pink fictional character who is believed to have lived on the planet Ta-be-Ta before he came to Earth and was adopted by a newlywed couple. His full name is "Zizigulu Aasi Paasi Deraakutaa Taa-be-Taa", however he is sometimes referred to as "Aasi-Poolika" and "Zizinghuli"

When nature is destroyed and iron and cement grow from the earth instead of trees, the poor animal has no choice but to urbanize. Khatan and Khamar, the two young deer in the story, also sell their homeland, Dasht-e Naz, hoping for a better life, and buy a small apartment in Kelileh and Demneh town.