Tamási Zoltán

Bálint, the theatre's award-winning chief director, thinks that he will be the successor of the resigning manager. However, the owner of the theater, Szalai, is asking Imre Hamar, an older man from a completely different field with no theatrical experience, to be the manager. Bálint is about to prepare a large-scale Romeo and Juliet performance with his actors, when Imre interrupts the rehearsal to introduce himself and outline the new situation… New leader, completely different leadership principles. Can a private theater on the brink of bankruptcy be saved?

A hotel, a petrol station, a highway. A driver, a guest, a waiter, a hotel porter, a woman. Seemingly chance encounters. Fates. The short stories of Ádám Bodor in a film.

The reformed priest of Gát, Pap Énók, gets married. He is engaged to the worthy Miss Ica Zádor from Malomsk and Zádor. At the Easter 'priestess election ball', Énók could have chosen a wife from among thirty-five Gáti girls, but he asked the thirty-sixth, Ica, a young lady from Pest. Enoch, of peasant origin, had studied his way up to the middle-class intellectuals of the countryside. Ica, the scion of a ruined noble family, comes from Budapest to a low-class marriage, but Ica's rise to office could bring her back into the higher social circles she had lost through the family's decline. They married for love, but both were guided by interest and expectation. Ica is a vivacious woman of the world, dissatisfied, bored, longing to return to life and society in Pest. She finds strange amusements: sometimes she embraces, sometimes she torments her master. Enoch is head over heels in love, puts up with everything, and in return happily accepts the kisses he is rewarded with.

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