Nagiko Tsuji

No overview available.

In this deranged and unpredictable comedy, a passionate aficionado of bread stages a revolution against a tyrannical baker.

No overview available.

No overview available.

In the last summer of my twenties, a drinking party for three women who have been close friends since college. The girls, who are unable to become adults due to the impasse of youth, recall the days when they were young when they could dream freely and take a new step forward.

The storyline is basically the same as in the original work, although there are many parts where logic is omitted. The dialogue and narration have been reconfigured considerably, with some of the speakers being changed, but almost all of it is composed of words extracted from the original work. However, with the exception of Kindaichi, all the characters are played by women, the dialogue is almost barbed, and the clothing deviates slightly from what is appropriate to the situation, thus eliminating any sense of reality. The reason why Nanako's jumper and Washio's trousers were needed is not clear, as the murderer swims to Nanako's room in her clothes. In addition, Lieutenant Kamio's subordinate is simplified to only one detective, Aoki.

Yuta (Abera Hidenobu), a monk with a passion for photography, captures in his viewfinder "that girl" (Ogura Yuna) who passes by his temple each day. One day as he is focused on taking photos, he has a reunion with childhood friend Yuka (Kano Yura). In the brief time they reminisce, she suddenly pressures him for a kiss. Moreover, he witnesses "that girl" meet a guy she got to know through a dating app.

Futa (Watanabe Shu) relocates from the city to the countryside and is being hassled for loan payments for the farmland and house that he bought. His partner Minori (Goriki Ayame) sees what is going on and pulls out a mysterious ring to use for the repayments. But from there, the two get pulled into a world where fantasy and reality are blurred. Tale of love with a dose of fantasy and mystery from Mystic Shrine Maiden producer Genda Yasuaki and Isobe Teppei, who grabbed the spotlight with F is for Future. Shot by Sone Takeshi of One Cut of the Dead.

"Takehiko Kanroji, notorious for a man of power harassment, an executive officer of the publishing company "Yudansha" has been transferred from Nagoya to the Tokyo head office. His mission is starting a magazine. However, the theme is ""sweets"" that Kanroji hates most. Even so, he tries to tackle the given work with all his heart, but his subordinates fed up with his overbearing attitude.

No overview available.

Maki finds out that she is pregnant. She enjoys a gentle pregnancy, but one day, as the due date approaches, Maki is hospitalized. She undergoes a prenatal diagnosis to confirm the safety of her child and the results are negative. Maki is relieved, but when the time comes to give birth, the baby is born with an incurable disease.

Yoshida, a former parliamentarian's secretary, took the fall for a murder in place of the trusted politician and ended up in prison. He awaited the day when the said politician would prove his innocence and get him released from prison. One day, while sharing a four-person cell, Machida was sent to solitary confinement for losing his temper. There were rumors within the prison that those sent to solitary confinement for punishment would mysteriously die and never return. However, Machida came back unharmed. Yet, the rumors continued, stating that returning from solitary confinement without a mysterious death was the real issue.

Kawamoto Tsugumi is a woman who is not good at interacting with people and has no friends. When she comes across an Instagram account nicknamed "White Horse", she is fascinated by how the meals are captured very attractively in the photos. The posts and captions resonate with her. Tsugumi starts to go for meals on her own by eating the same food as "White Horse". On the other hand, Shiraishi Kazuma who manages the "White Horse" account, is delighted about and eagerly anticipating the only "like" he gets for his posts from Tsugumi.

Born in 1937 in Osaka as the eldest daughter, Kawahara Kimiko moves to Shigaraki with her family at the age of 9. She works to support her family from a young age. Eventually, she jumps into the male world of pottery and becomes a pioneer of female ceramic arts. After marrying her husband who is also involved in ceramics and owning her own kiln, she raises her two children while struggling to create unique ware.

Takashiro Naoya is a handsome salaryman who works for a top company. However, he is also a notorious playboy with a bad taste in women. By chance, he ends up becoming the live-in muse for Fukunaga Akane, an erotic fiction writer who has little experience in love.

In the end of Meiji era, Takei Chiyo was born in a poor family in Osaka, and was sent to a theatre tea room as a servant when she was 9 years old. There, she was attracted by the world of theatre comedy. She grows up to be an actor and marries to Amami Ippei , but the war broke out and she was forced to stay away from acting for a while. However, when she comes back again, her acting in a radio drama impresses many people and makes herself one of the leading actors in western Japan.