August Igor Svideniouk Egholm

20 years ago two boys disappeared in the swimming pool at Hulgaard Elementary. Ever since children have been telling stories about a monster living at the bottom of the pool. A victim of all the school bullies, 11-year-old Lars, has written a love letter for the older girl Sherin. When Sherin’s boyfriend, the worst bad guy in school, finds the letter, he forces Lars to swim to the bottom of the pool to retrieve a shining coin. But Lars is convinced that the monster Aqualorius is waiting in the deep...

Martin Vinge, former notorious journalist, now successful headhunter with a complicated personal life, is in all confidentiality contacted by 85 year-old N.F. Sieger, S.E.O. of Denmark's largest shipping company and oil empire. Sieger hires Martin to find an alternative heir to the firm instead of his son, Daniel Sieger, who for a long time has been destined to take the company into the next era. Martin starts coming up with suitable names for the position, but discovers that he has actually been entangled in a larger impenetrable power game aimed at deciding what is really going to happen to the company; a brutal power struggle that puts an intense pressure on Martin and his private life and relationships.

In Sara's class, the popular kids, also known as the kings and queens, are subjected to daily humiliations, which include having their pants pulled down or water thrown on them, but this is only a sign of their elevated status. Sara is the only blond and blue-eyed girl in her class, and she is completely overlooked by the kings and queens who do not have blond hair and blue eyes. She has a secret crush on one of the kings, who is way out of her league, and she doesn't have any friends either, but would like to become friends with Karen, also an outsider who aspires to a better status. One day, Sara eyes an opportunity to boost her popularity by humiliating herself and thereby become queen. Karen instantly becomes her friend, she seems to catch the eye of her kingly crush and popularity appears within her reach. However, her happiness is short-lived, and in the end she learns a far more valuable lesson than how to be queen for a day.

A father comes home for Christmas in the basement where he is keeping his wife and children captive. Inspired by the Josef Fritzl case.

It's a roller coaste coming-of-age story. Focus is on the three kids thrown into extraordinary circumstances, which brings out best and worst in their relationship to themselves, each other, death and having to be/become an adult. Mum's corpse only appears briefly in the first episode, and the morbid aspects of the story are undertoned in relationship to the subtle humor.

What should the clown do when he's not funny anymore?

No overview available.

Martin Vinge, former notorious journalist, now successful headhunter with a complicated personal life, is in all confidentiality contacted by 85 year-old N.F. Sieger, S.E.O. of Denmark's largest shipping company and oil empire. Sieger hires Martin to find an alternative heir to the firm instead of his son, Daniel Sieger, who for a long time has been destined to take the company into the next era. Martin starts coming up with suitable names for the position, but discovers that he has actually been entangled in a larger impenetrable power game aimed at deciding what is really going to happen to the company; a brutal power struggle that puts an intense pressure on Martin and his private life and relationships.

Newly divorced journalist returns to her hometown to restart her life and work through her past.

No overview available.

No overview available.

Inspired by actual events - the dramatic story of a group of lost youth in late 70s and early 80s Copenhagen. They find community and belonging in the biker gang 'Bullshit' – but end up in brutal conflict.

It's a roller coaste coming-of-age story. Focus is on the three kids thrown into extraordinary circumstances, which brings out best and worst in their relationship to themselves, each other, death and having to be/become an adult. Mum's corpse only appears briefly in the first episode, and the morbid aspects of the story are undertoned in relationship to the subtle humor.