Adalat Abdulsamadov

No overview available.

The film tells about the events that happened to Eshkin (Elmeddin Jafarov), who kidnapped his girlfriend (Dilara Aliyeva) together with his friend Karamat (Vusal Murtuzaliyev). Eshkin and Qizkhanim meet on the Facebook social network. Qizkhanim lives in the district, and her father wants Eshkin to kidnap her because he wants to marry her off to someone else. Eshkin runs him off with his friend's hearse, and the misadventures begin right after that...

An incredible love story. The script of the film is inspired by the Lezgins and reflects the fate of the Lezgin people. This is the first Lezgin feature film in the history of Azerbaijani cinema.

During the late 1980s and early 1990s the Armenian minority in Nagorono-Karabakh attempted to break away from Azerbaijan, one of the former Soviet republics. Overnight these former neighbors became enemies, and simple village folk were suddenly made hostages in a complex power game. One of the Azerbaijani villages right on the border is home to the family of the peasant farmer Kerim, who has just been captured by the Armenians. The village council decides to take an Armenian in order to arrange a hostage exchange. They imprison the wounded man in the barn next to Kerim's house, where his wife and three children desperately await the husband's return. The captive from the other side of the border finds himself in exactly the same situation - he, too, has three children, he finds it hard to scrape a living together, he has never done anything to harm anyone and, like Kerim, he just wants to go back home. But life in Karabakh is far more complex now. Blood calls for blood.

Abbasgulu Agha, a scholar, diplomat, soldier, writer, poet, and philosopher, lived a glorious life and died of plague in a place called "Wadi Fatima" between Medina and Mecca while wandering the hot deserts of Arabia. The film is dedicated to his life and work, based on the manuscripts of Abbasgulu agha Bakikhanov's works.

The sudden death of his father at a dinner party organized on the eve of Alakbar's wedding, which is about to be married, creates an atmosphere of mourning instead of celebration, setting the rest of the film on a family's grieving and reliving emotions.

Maqsad lives a simple life with his wife Giyamat and son Sohbat, but suddenly things change when his son Maksim from a Russian woman comes to see his father from Russia.

The film tells the story of events that occur simultaneously in a nursing home and an orphanage that are located next to each other, and the tragedy of heartbroken people - parents abandoned by their children and children abandoned by their parents.

Shoemaker Gadir is known among the people for his stubbornness. His friend's son, businessman Amrulla, convinces all the shops in the area except Gadir's shoe shop to sell. Realizing that he will not be able to convince Tars Gadir, he plays a trick on him. One day, he offers him a job and gives him money as an advance. Gadir, who wants to send his daughter to a festival in Baku and needs money, has to accept Amrulla's offer and pawns his shop. As a result, the job is not done and Gadir loses his shop.

The film is based on Jafar Jabbarli's play "Aydin".

This is a mockumentary-style project that humorously and satirically explores the themes of exorcism and family drama.

No overview available.

No overview available.

No overview available.

Baku. The beginning of the 21st century. The reality of the time comes to life through the eyes of four ladies. Each of these girls has her own destiny, her own world, her own outlook on life. Although their characters are different, there is a higher force that binds them together: friendship! But who are these girls?

Aydin, who is a supporter of innovation, stands on the other side of a group of passive-minded old collectives who make plans to undermine him at every opportunity. After being appointed to the position, a fight begins between relatives who abuse the situation. Only with the support of his father, he begins to openly fight against the opposing force. After a while, Aydin decides to quit his job, thinking that this struggle is insignificant. The news that comes at that moment causes him to join this struggle again.

Each part is filled with the daily events of the Azerbaijani village, full of strange but native characters.