
Acting
Sep 19, 1949
Paris, France
Sabine Azéma
Acting
Biography
Sabine Azéma (born 20 September 1949) is a French stage and film actress and director. Born in Paris, she graduated from the Paris Conservatory of Dramatic Arts. Her film career began in 1975. Azéma appeared in A Sunday in the Country (1984), for which she won a César Award for Best Actress, and numerous films of Alain Resnais, including Life Is a Bed of Roses (1983), L'Amour à mort (1984), Mélo (which won her a second César Award for Best Actress), Smoking/No Smoking (1993), On connaît la chanson (1997), Pas sur la bouche (2003), and Cœurs (2006). She has been nominated a further five times. Description above from the Wikipedia article Sabine Azéma, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Feature Films (59)

Tanguy is 28 years old and still living with his parents. They think it's time he moves out. He doesn't, so they hatch a plan.
Tanguy

Business executive Odile seeks a new, larger apartment. Her younger sister Camille, having completed her doctoral thesis in history, is a Paris tour guide. Simon is a regular on Camille's tours as he's attracted to her. However, Camille has fallen for Marc, and they begin an affair. Nicolas is also looking for an apartment, since he hopes to eventually have his family join him in Paris.
Same Old Song

Seven lonely lives in Paris: a middle-aged estate agent who believes a colleague is sending messages in video tapes she loans him; his co-worker whose Bible is close at hand in times of stress; her late-night charge, an angry, nasty bedridden old man; his son, a patient bartender; the bartender's best patron, an ex-soldier who's lost his moorings while his fiancée looks for a large flat for them; and, the estate agent's much younger sister, who answers personals and waits in cafés with a red flower pinned on her jacket. Will any connect? Can open hearts trump fears?
Private Fears in Public Places

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
Histoire(s) du Cinéma 2b: Deadly Beauty

In France, before WWI. As every Sunday, an old painter living in the country is visited by his son Gonzague, coming with his wife and his three children. Then his daugther Irene arrives. She is always in a hurry, she lives alone and does not come so often... An intimist chronicle in which what is not shown, what is guessed, is more important than how it looks, dealing with what each character expects of life.
A Sunday in the Country

In 1920, Major Dellaplane, a man of honor and ethics, searches for missing French soldiers. He meets Madame Irène de Courtil, a politically connected Parisian, and their paths cross.
Life and Nothing But

Newly married, Mathilde and Robert are honeymooning at a resort owned by their friends Edith and Arthur, the Chateau d'Hercule. But an unpleasant shock is in store for them.
The Perfume of the Lady in Black

Joseph Rouletabille, a reporter for a local newspaper, investigates the attempted killing of Mathilde Stangerson, who uses the yellow room of the title as her bedroom. At the time of the revolver shots her room was locked and the windows were barred, but when her father enters after having forced the door, there is no-one there except for Mathilde. So who did it and how did he get away?
The Mystery of the Yellow Room

Elisabeth and Simon have been deeply in love for two months when Simon momentarily dies, but returns to life. Despite declining further medical tests, the couple are forced to grapple with the possibility of his death. Eventually, they tell their close friends Jérôme and Judith Martignac about the event. The Martignacs are both clerics, and Judith has just been giving a funeral service for a villager who committed suicide, though Jérôme would have nothing to do with suicide...
Love Unto Death

Getting away from it all causes more problems than it solves in this comedy from the French writing-directing team of Jean-Marie Larrieu and Arnaud Larrieu. Alexandre Darou (Jean-Pierre Darroussin) and his wife Aurore Lalu (Sabine Azema) are a pair of well-known actors who need a break from the tension and fast pace of their lives in show biz. Adopting the names "Mr. and Mrs. Go," Alexandre and Aurore head for a village high in the mountains of Southwest France, where they hope to enjoy some relaxing downtime and they won't be bothered. However, Alexandre and Aurore underestimated their own fame, and it isn't long before everyone in the town knows that a pair of movie stars are in their midst. As the couple head into the hills, Alexandre and Aurore discover they don't have much of a talent for roughing it, and while she believed that getting away from the city would help her deal with a recent bout with nymphomania, getting back to nature only increases her appetite for other men.
Le Voyage aux Pyrénées

Francis, the boss of a small plumbing supply company, is harassed by tax collectors, striking employees, and an impossible wife and daughter. His only joy is sharing lunch with his friend Gerard. Then a TV show called "where are you?" shows a woman from Gers who is searching for her husband who disappeared 28 years ago. The lost husband looks like an identical twin of Francis...
Happiness Is in the Field

Two actors portray eighteen Yorkshire villagers, who offer several iterations of their lives depending on whether or not they lit a cigarette at a certain point in time.
Smoking / No Smoking
Television & Series (9)

An 8-part essay film chronicling the history of cinema, examining the history of the concept of cinema and how both relates to the 20th century.
Histoire(s) du cinéma

Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.







